In this Issue

Table of Contents

Naming and Not Naming: Tennyson and Mallarme

Mary Ann Caws, Gerhard Joseph
pp. 1-18
DOI: https://doi.org/10.1353/vp.2005.0013
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Hopkins and Cynewulf: "The Wreck of the Deutschland," "The Windhover," "The Blessed Virgin compared to the Air we Breathe," and the Christ

James Finn Cotter
pp. 19-32
DOI: https://doi.org/10.1353/vp.2005.0014
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Graven Images: The Woman Writer, the Indian Poetess, and Imperial Aesthetics in L.E.L.'s "Hindoo Temples and Palaces at Madura"

Jean Fernandez
pp. 35-52
DOI: https://doi.org/10.1353/vp.2005.0016
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Protesting Success: Tennyson's "Indecent Exposure" in the Periodicals

Kathryn Ledbetter
pp. 53-73
DOI: https://doi.org/10.1353/vp.2005.0018
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"Hardly Shall I Tell My Joys and Sorrows": Robert Browning's Engagement With Elizabeth Barrett Browning's Poetics

Britta Martens
pp. 75-98
DOI: https://doi.org/10.1353/vp.2005.0019
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"Where ignorant armies clash by night" and the Sikh Rebellion: A Contemporary Source for Matthew Arnold's Night-Battle Imagery

Walter Kokernot
pp. 99-108
DOI: https://doi.org/10.1353/vp.2005.0017
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Looking Strategically: Feminist and Queer Aesthetics in Michael Field's Sight and Song

Jill Ehnenn
pp. 109-154
DOI: https://doi.org/10.1353/vp.2005.0015
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Contributors

p. 155
DOI: https://doi.org/10.1353/vp.2005.0012
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