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Table of Contents

  1. Naming and Not Naming: Tennyson and Mallarme
  2. Mary Ann Caws, Gerhard Joseph
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/vp.2005.0013
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  1. Hopkins and Cynewulf: "The Wreck of the Deutschland," "The Windhover," "The Blessed Virgin compared to the Air we Breathe," and the Christ
  2. James Finn Cotter
  3. pp. 19-32
  4. DOI: https://doi.org/10.1353/vp.2005.0014
  5. restricted access
  1. Graven Images: The Woman Writer, the Indian Poetess, and Imperial Aesthetics in L.E.L.'s "Hindoo Temples and Palaces at Madura"
  2. Jean Fernandez
  3. pp. 35-52
  4. DOI: https://doi.org/10.1353/vp.2005.0016
  5. restricted access
  1. Protesting Success: Tennyson's "Indecent Exposure" in the Periodicals
  2. Kathryn Ledbetter
  3. pp. 53-73
  4. DOI: https://doi.org/10.1353/vp.2005.0018
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  1. "Hardly Shall I Tell My Joys and Sorrows": Robert Browning's Engagement With Elizabeth Barrett Browning's Poetics
  2. Britta Martens
  3. pp. 75-98
  4. DOI: https://doi.org/10.1353/vp.2005.0019
  5. restricted access
  1. "Where ignorant armies clash by night" and the Sikh Rebellion: A Contemporary Source for Matthew Arnold's Night-Battle Imagery
  2. Walter Kokernot
  3. pp. 99-108
  4. DOI: https://doi.org/10.1353/vp.2005.0017
  5. restricted access
  1. Looking Strategically: Feminist and Queer Aesthetics in Michael Field's Sight and Song
  2. Jill Ehnenn
  3. pp. 109-154
  4. DOI: https://doi.org/10.1353/vp.2005.0015
  5. restricted access
  1. Contributors
  3. p. 155
  4. DOI: https://doi.org/10.1353/vp.2005.0012
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