1. Assessing the University of Illinois at Urbana-Champaign's Score Collection
  2. Esther Gillie, Thomas H. Teper
  3. pp. 939-957
  4. DOI: 10.1353/not.2005.0058
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  1. The English and American Hymnody Collection of the Pitts Theology Library, Emory University
  2. Harry Eskew
  3. pp. 958-973
  4. DOI: 10.1353/not.2005.0056
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  1. Necrology Index
  2. Paul Hahn
  3. pp. 974-985
  4. DOI: 10.1353/not.2005.0074
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  1. The Thematic Catalogue of the Music Works of Johann Pachelbel (review)
  2. Robert Follet
  3. pp. 991-993
  4. DOI: 10.1353/not.2005.0057
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  1. Music Entries at Stationers' Hall, 1710-1818 (review)
  2. David Hunter
  3. pp. 993-994
  4. DOI: 10.1353/not.2005.0061
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  1. Silence and Slow Time (review)
  2. John Lowell Brackett
  3. pp. 994-997
  4. DOI: 10.1353/not.2005.0049
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  1. Der Tonwille: Pamphlets in Witness of the Immutable Laws of Music, Offered to a New Generation of Youth (review)
  2. Benjamin McKay Ayotte
  3. pp. 997-999
  4. DOI: 10.1353/not.2005.0048
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  1. Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s (review)
  2. Leslie N. Andersen
  3. pp. 999-1002
  4. DOI: 10.1353/not.2005.0046
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  1. Emblems of Eloquence: Opera and Women's Voices in Seventeenth-Century Venice (review)
  2. Anne MacNeil
  3. pp. 1002-1005
  4. DOI: 10.1353/not.2005.0072
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  1. The Artist-Operas of Pfitzner, Krenek, and Hindemith: Politics and the Ideology of the Artist (review)
  2. Michael J. Duffy
  3. pp. 1005-1006
  4. DOI: 10.1353/not.2005.0055
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  1. Dhrupad: Tradition and Performance in Indian Music (review)
  2. Natalie Sarrazin
  3. pp. 1007-1008
  4. DOI: 10.1353/not.2005.0078
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  1. Beethoven After Napoleon: Political Romanticism in the Late Works (review)
  2. William Kinderman
  3. pp. 1010-1013
  4. DOI: 10.1353/not.2005.0066
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  1. Britten on Music (review)
  2. Jennifer Oates
  3. pp. 1013-1015
  4. DOI: 10.1353/not.2005.0076
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  1. The George Gershwin Reader (review)
  2. Larry Starr
  3. pp. 1015-1018
  4. DOI: 10.1353/not.2005.0079
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  1. John Taverner: His Life and Music (review)
  2. Myron B. Patterson
  3. pp. 1018-1019
  4. DOI: 10.1353/not.2005.0077
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  1. Soul on Soul: The Life and Music of Mary Lou Williams (review)
  2. Edward M. Komara
  3. pp. 1019-1021
  4. DOI: 10.1353/not.2005.0067
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  1. Performing Music in the Age of Recording (review)
  2. Richard Le Sueur
  3. pp. 1021-1023
  4. DOI: 10.1353/not.2005.0070
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  1. Choral Conducting: Philosophy and Practice, and: A Handbook for Beginning Choral Educators (review)
  2. Mary Rose Adkins
  3. pp. 1023-1025
  4. DOI: 10.1353/not.2005.0044
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  1. Dvorak to Duke Ellington: A Conductor Explores America's Music and Its African American Roots (review)
  2. Susan Key
  3. pp. 1025-1026
  4. DOI: 10.1353/not.2005.0065
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  1. Music Scenes: Local, Translocal, and Virtual (review)
  2. Timothy Dean Taylor
  3. pp. 1026-1028
  4. DOI: 10.1353/not.2005.0080
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  1. Making Beats: The Art of Sample-Based Hip-Hop (review)
  2. Mark Katz
  3. pp. 1028-1030
  4. DOI: 10.1353/not.2005.0064
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  1. ABBA Gold, and: Electric Ladyland, and: Sign 'O' the Times, and: The Velvet Underground and Nico, and: Unknown Pleasures (review)
  2. Steve Weiss
  3. pp. 1031-1032
  4. DOI: 10.1353/not.2005.0081
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  1. Voices of the Country: Interviews with Classic Country Performers (review)
  2. Jeanette L. Casey
  3. pp. 1032-1033
  4. DOI: 10.1353/not.2005.0052
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  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 1034-1056
  4. DOI: 10.1353/not.2005.0045
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  1. Classical Music Library (review)
  2. Paul Cary
  3. pp. 1057-1059
  4. DOI: 10.1353/not.2005.0051
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  1. Lounge Caravan: A Selective Discography
  2. Melissa Ursula Dawn Goldsmith
  3. pp. 1060-1083
  4. DOI: 10.1353/not.2005.0059
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  1. Briefly Noted
  2. Rick Anderson
  3. pp. 1083-1087
  4. DOI: 10.1353/not.2005.0047
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  1. Various Bartok Editions
  2. Peter Laki
  3. pp. 1088-1091
  4. DOI: 10.1353/not.2005.0069
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  1. Concerto in D Minor, Andre No. 1, for Oboe and Orchestra, and: Concerto in D Minor, Andre No. 1 (arr.), for Oboe and Orchestra, and: Concerto in G Minor, Andre No. 2, for Oboe and Orchestra, and: Concerto in G Minor, Andre No. 2 (arr.), for Oboe and Orchestra, and: Concerto in C Major, Andre No. 3, for Oboe and Orchestra, and: Concerto in C Major, Andre No. 3 (arr.), for Oboe and Orchestra, and: Concerto in B-Flat Major, Andre No. 4, for Oboe and Orchestra, and: Concerto in B-Flat Major, Andre No. 4 (arr.), for Oboe and Orchestra, and: Concerto in C Major, Andre No. 5, for Oboe and Orchestra, and: Concerto in C Major, Andre No. 5 (arr.), for Oboe and Orchestra, and: Concerto in F Major, Andre No. 6, for Oboe and Orchestra, and: Concerto in F Major, Andre No. 6 (arr.), for Oboe and Orchestra, and: Concerto in G Major, Sieber No. 1, for Flute and Orchestra, and: Concerto in G Major, Sieber No. 1 (arr.), for Flute and Orchestra, and: Concerto in F Major, Sieber No. 1a, for Oboe and Orchestra, and: Concerto in F Major, Sieber No. 1a (arr.), for Oboe and Orchestra, and: Concerto in C Major, Sieber No. 2, for Oboe and Orchestra, and: Concerto in C Major, Sieber No. 2 (arr.), for Oboe and Orchestra, and: Concerto in F Major, Sieber No. 3, for Oboe and Orchestra, and: Concerto in F Major, Sieber No. 3 (arr.), for Oboe and Orchestra, and: Concerto in C Major, Sieber No. 4, for Oboe and Orchestra, and: Concerto in C Major, Sieber No. 4 [(arr.)], for Oboe and Orchestra, and: Concerto in G Major, Sieber No. 6, for Flute and Orchestra, and: Concerto in G Major, Sieber No. 6 (arr.), for Flute and Orchestra, and: Concerto in F Major, Sieber No. 6a, for Oboe and Orchestra, and: Concerto in F Major, Sieber No. 6a (arr.), for Oboe and Orchestra, and: Concerto in F Major, Sieber No. 7, for Oboe and Orchestra, and: Concerto in F Major, Sieber No. 7 (arr.), for Oboe and Orchestra (review)
  2. Geoffrey, oboist Burgess
  3. pp. 1091-1100
  4. DOI: 10.1353/not.2005.0050
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  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 1125-1126
  4. DOI: 10.1353/not.2005.0053
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  1. Communications
  2. pp. 1127-1128
  3. DOI: 10.1353/not.2005.0054
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  1. Index to Volume 61: September 2004 through June 2005
  2. Martin Jenkins
  3. pp. 1164-1177
  4. DOI: 10.1353/not.2005.0062
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  1. Notes for Notes
  2. pp. 986-990
  3. DOI: 10.1353/not.2005.0075
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  1. Music Received
  2. David Knapp
  3. pp. 1113-1124
  4. DOI: 10.1353/not.2005.0073
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