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In this Issue

Table of Contents

  1. "This fundo stuff is really something new": Fundamentalism and Hybridity in The Moor's Last Sigh
  2. Dohra Ahmad
  3. pp. 1-20
  4. DOI: https://doi.org/10.1353/yale.2005.0002
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  1. Unity Sublime: The Excursion 's Social Self
  2. Nigel Alderman
  3. pp. 21-43
  4. DOI: https://doi.org/10.1353/yale.2005.0001
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  1. The Autobiography of a Substitute: Trauma, History, Howells
  2. Amanda Claybaugh
  3. pp. 45-65
  4. DOI: https://doi.org/10.1353/yale.2005.0003
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  1. The Reality Effect: Emerson's Speakers and the Phenomenon of Personality
  2. Rachel Cole
  3. pp. 67-86
  4. DOI: https://doi.org/10.1353/yale.2005.0004
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  1. Petted Things: Wuthering Heights and the Animal
  2. Ivan Kreilkamp
  3. pp. 87-110
  4. DOI: https://doi.org/10.1353/yale.2005.0006
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  1. Sade's Theatrical Passions
  2. Martin Puchner
  3. pp. 111-125
  4. DOI: https://doi.org/10.1353/yale.2005.0007
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  1. Synaesthetics: Symbolism, Dance, and the Failure of Metaphor
  2. Julie Townsend
  3. pp. 126-148
  4. DOI: https://doi.org/10.1353/yale.2005.0009
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  1. Bodies of Evidence: Post-War Detective Fiction and the Monstrous Origins of the Sexual Psychopath
  2. Frederick Whiting
  3. pp. 149-178
  4. DOI: https://doi.org/10.1353/yale.2005.0010
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  1. Terror's Abduction of Experience: A Gothic History
  2. Matthew Wickman
  3. pp. 179-206
  4. DOI: https://doi.org/10.1353/yale.2005.0011
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Contributors

  1. Notes on Contributors
  3. pp. 207-208
  4. DOI: https://doi.org/10.1353/yale.2005.0005
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In Memorium

  1. In Memorium
  3. p. v
  4. DOI: https://doi.org/10.1353/yale.2005.0008
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