In this Issue

Table of Contents

"Horrible Impossible": Henry James's Awkward Stage

David Kurnick
pp. 109-129
DOI: https://doi.org/10.1353/hjr.2005.0013
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Amerigo's Miraculous Metamorphosis: or, the Logic of Ethnic Caricature in The Golden Bowl

Henry B. Wonham
pp. 130-146
DOI: https://doi.org/10.1353/hjr.2005.0015
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"Wasn't all history full of the destruction of precious things?": Missing Mothers, Feminized Fathers, and the Purchase of Freedom in Henry James's The Portrait of a Lady

Kristin Sanner
pp. 147-167
DOI: https://doi.org/10.1353/hjr.2005.0014
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Unmoored from "the Shore of the Real": Henry James, Roderick Hudson, and the Advent of the Modern in Nineteenth-Century Painting

Kim Bartel
pp. 168-188
DOI: https://doi.org/10.1353/hjr.2005.0009
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Narcissism and the Conditions of Self-knowledge in James's "The Jolly Corner"

Shalyn Claggett
pp. 189-200
DOI: https://doi.org/10.1353/hjr.2005.0010
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Henry James and the Suspense of Masculinity (review)

Eric L. Haralson
pp. 201-204
DOI: https://doi.org/10.1353/hjr.2005.0011
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L'arte della critica. Ideologia estetica e forma narrativa nelle Prefazioni di Henry James (review)

Donatella Izzo
pp. 204-206
DOI: https://doi.org/10.1353/hjr.2005.0012
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