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In this Issue

Table of Contents

  1. "Absolutamente necesario": The Express Train in Malcolm Lowry's Under the Volcano, Chapter Twelve
  2. Pam Fox Kuhlken
  3. pp. 209-228
  4. DOI: https://doi.org/10.1353/mod.2005.0061
  5. restricted access
  1. The Bauhaus of Nature
  2. Peder Anker
  3. pp. 229-251
  4. DOI: https://doi.org/10.1353/mod.2005.0051
  5. restricted access
  1. Alternative Functions: Oscar Niemeyer and the Poetics of Modernity
  2. Justin Read
  3. pp. 253-272
  4. DOI: https://doi.org/10.1353/mod.2005.0066
  5. restricted access
  1. The Motor in the Soul: Isadora Duncan and Modernist Performance
  2. Carrie J. Preston
  3. pp. 273-289
  4. DOI: https://doi.org/10.1353/mod.2005.0064
  5. restricted access
  1. Oskar Kokoschka's Sex Toy: The Women and the Doll Who Conceived the Artist
  2. Bonnie Roos
  3. pp. 291-309
  4. DOI: https://doi.org/10.1353/mod.2005.0067
  5. restricted access
  1. Crossing the Great Divides: Selfridges, Modernity, and the Commodified Authentic
  2. Elizabeth Outka
  3. pp. 311-328
  4. DOI: https://doi.org/10.1353/mod.2005.0063
  5. restricted access
  1. Kitsching The Cantos
  2. Daniel Newton Tiffany
  3. pp. 329-337
  4. DOI: https://doi.org/10.1353/mod.2005.0071
  5. restricted access
  1. The One vs. the Many: Minor Characters and the Space of the Protagonist in the Novel (review)
  2. Eric Hayot
  3. pp. 339-341
  4. DOI: https://doi.org/10.1353/mod.2005.0059
  5. restricted access
  1. The Victorian Supernatural (review)
  2. Helen Sword
  3. pp. 341-342
  4. DOI: https://doi.org/10.1353/mod.2005.0070
  5. restricted access
  1. Art, Culture and National Identity in Fin-de-Siecle Europe (review)
  2. Jennifer Jenkins
  3. pp. 342-344
  4. DOI: https://doi.org/10.1353/mod.2005.0060
  5. restricted access
  1. Jean Desmet and the Early Dutch Film Trade (review)
  2. Richard Abel
  3. pp. 344-346
  4. DOI: https://doi.org/10.1353/mod.2005.0050
  5. restricted access
  1. Real Indians: Identity and the Survival of Native America (review)
  2. Andrew Dix
  3. pp. 346-348
  4. DOI: https://doi.org/10.1353/mod.2005.0053
  5. restricted access
  1. Robert Johnson, Mythmaking, and Contemporary American Culture (review)
  2. Ben Harker
  3. pp. 348-349
  4. DOI: https://doi.org/10.1353/mod.2005.0058
  5. restricted access
  1. Cruising Modernism: Class and Sexuality in American Literature and Social Thought (review)
  2. Justus Nieland
  3. pp. 350-351
  4. DOI: https://doi.org/10.1353/mod.2005.0062
  5. restricted access
  1. A Shrinking Island: Modernism and National Culture in England (review)
  2. Martin Puchner
  3. pp. 352-353
  4. DOI: https://doi.org/10.1353/mod.2005.0065
  5. restricted access
  1. Inventing Popular Culture From Folklore to Globalization (review)
  2. Barry J. Faulk
  3. pp. 353-355
  4. DOI: https://doi.org/10.1353/mod.2005.0055
  5. restricted access
  1. At the Beach (review)
  2. Stephen P. Hanna
  3. pp. 355-357
  4. DOI: https://doi.org/10.1353/mod.2005.0057
  5. restricted access
  1. Lucia Joyce: To Dance into the Wake (review)
  2. Finn Fordham
  3. pp. 357-358
  4. DOI: https://doi.org/10.1353/mod.2005.0056
  5. restricted access
  1. Anais Nin, Fictionality and Femininity: Playing a Thousand Roles
  2. Jim Stewart
  3. pp. 359-360
  4. DOI: https://doi.org/10.1353/mod.2005.0069
  5. restricted access
  1. Random Order: Robert Rauschenberg and the Neo-Avant-Garde (review)
  2. Ales Erjavec
  3. pp. 360-362
  4. DOI: https://doi.org/10.1353/mod.2005.0054
  5. restricted access
  1. The Shape of the Signifier: 1967 to the End of History (review)
  2. Henry Staten
  3. pp. 362-364
  4. DOI: https://doi.org/10.1353/mod.2005.0068
  5. restricted access
  1. Recent Books of Interest
  3. pp. 365-368
  4. DOI: https://doi.org/10.1353/mod.2005.0052
  5. restricted access