1. Poetry 's Opening Door: Harriet Monroe and American Modernism
  2. John Timberman Newcomb
  3. pp. 6-22
  4. DOI: 10.1353/amp.2005.0011
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  1. The Lying Game: Others and the Great Spectra Hoax of 1917
  2. Suzanne W. Churchill
  3. pp. 23-41
  4. DOI: 10.1353/amp.2005.0002
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  1. The Dial, The Little Review, and the Dialogics of Modernism
  2. Alan C. Golding
  3. pp. 42-55
  4. DOI: 10.1353/amp.2005.0007
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  1. "Life is Real and Life is Earnest": Mike Gold, Claude McKay, and the Baroness Elsa von Freytag-Loringhoven
  2. Adam McKible
  3. pp. 56-73
  4. DOI: 10.1353/amp.2005.0010
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  1. The Cosmopolitan Midland
  2. Tom Lutz
  3. pp. 74-85
  4. DOI: 10.1353/amp.2005.0009
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  1. Social Stories: The Magazine Novel in Nineteenth-Century America (review)
  2. Katherine Henry
  3. pp. 112-114
  4. DOI: 10.1353/amp.2005.0008
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  1. Ambassadors of Culture: The Transamerican Origins of Latino Writing (review)
  2. Ivonne M. Garcia
  3. pp. 114-116
  4. DOI: 10.1353/amp.2005.0004
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  1. Men of Tomorrow: Geeks, Gangsters and the Birth of the Comic Book (review)
  2. Jared Gardner
  3. pp. 116-118
  4. DOI: 10.1353/amp.2005.0005
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  1. Little Magazines and Modernism: An Introduction
  2. Suzanne W. Churchill, Adam McKible
  3. pp. 1-5
  4. DOI: 10.1353/amp.2005.0001
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  1. The case of Ebony and Topaz : Racial and Sexual Hybridity in Harlem Renaissance Illustrations
  2. Caroline Goeser
  3. pp. 86-111
  4. DOI: 10.1353/amp.2005.0006
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  1. Contributors
  3. pp. 119-120
  4. DOI: 10.1353/amp.2005.0003
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