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Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice.
Each issue is beautifully illustrated and contains a wide range of articles on performance practice, iconography, sources, instruments and many other aspects of the historical context for a given work or repertory. Some issues are dedicated to a particular theme to mark the anniversary of a composer or to explore an otherwise uncharted territory, such as the music of the New World or the early musical traditions of non-Western cultures.
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Volume 33, Number 1, February 2005Table of Contents
- Absorbing Lassus
- pp. 99-114
- Medieval improvisation
- pp. 115-117
- The soundworld of Toledo Cathedral
- pp. 117-119
- The Sun King at worship
- pp. 119-121
- Bach in Leipzig
- pp. 121-124
- German keyboards
- pp. 124-128
- Italian survivals
- pp. 130-132
- Louis Couperin at the keyboard
- pp. 132-133
- A Classical sacred miscellany
- pp. 134-135
- Magic and mystery in Gibbons and Dowland
- pp. 137-141
- The Altbachisches Archiv
- pp. 141-144
- Unknown Scarlatti
- pp. 144-145
- The Welsh bowed lyre
- pp. 145-147
- Instruments
- pp. 149-153
- The Pieta Museum, Venice
- p. 154
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Copyright © 2005 Oxford University Press.
