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Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice.
Each issue is beautifully illustrated and contains a wide range of articles on performance practice, iconography, sources, instruments and many other aspects of the historical context for a given work or repertory. Some issues are dedicated to a particular theme to mark the anniversary of a composer or to explore an otherwise uncharted territory, such as the music of the New World or the early musical traditions of non-Western cultures.
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Volume 32, Number 4, November 2004Table of Contents
- Marc-Antoine Charpentier and the Viol
- pp. 497-510
- Byrd, Augustine, and Tribue, Domine
- pp. 569-575
- The Clavichord Revival, 1800-1960
- pp. 595-603
Book Reviews
- Machaut and Reims
- pp. 605-608
- Women of the commedia dell'arte
- pp. 608-610
- Divining Monteverdi
- pp. 611-613
- Marc-Antoine Charpentier and the Viol
- pp. 613-614
- Music and liturgy at San Petronio
- pp. 616-619
- Rediscovering Steffani
- pp. 619-621
- The Classical Clarinet
- pp. 621-622
Music Review
- 'Woeful ballads' and 'filthy tunes'?
- pp. 623-625
Recording Reviews
- Purcell's operas revisited
- pp. 327-332
- Carissimi in the round
- pp. 632-634
- New Approaches to Victoria
- pp. 634-636
Reports
Obituary
- Denis Stevens (1922-2004)
- pp. 643-644
Correspondence
- Correspondence
- pp. 645-646
- Spiritus et alme
- p. 646
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Copyright © 2004 Oxford University Press.
