In this Issue

Table of Contents

Relationships between Prosodic and Musical Meters in the Beste Form of Classical Turkish Music

Tolga Bektaş
pp. 1-26
DOI: https://doi.org/10.1353/amu.2005.0003
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The Donkey's Ears Go Flop, Flop: Miyagi Michio's Koto Works for Children

Anne Prescott
pp. 27-43
DOI: https://doi.org/10.1353/amu.2005.0009
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Collaborative Music in the Performance of the Balinese Shadow Theater

I Nyoman Sedana
pp. 44-59
DOI: https://doi.org/10.1353/amu.2005.0010
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Pandits in the Movies: Contesting the Identity of Hindustani Classical Music and Musicians in the Hindi Popular Cinema

Greg Booth
pp. 60-86
DOI: https://doi.org/10.1353/amu.2005.0004
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Cultural Politics: The African American Connection in Asian American Jazz-based Music

Susan Miyo Asai
pp. 87-108
DOI: https://doi.org/10.1353/amu.2005.0002
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Review Essay: Wayan Gandera and the Hidden History of Gamelan Gong Kebyar

Michael Tenzer
pp. 109-122
DOI: https://doi.org/10.1353/amu.2005.0011
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Songs and Gifts at the Frontier: Person and Exchange in the Agusan Manobo Possession Ritual, Philippines (review)

Jeremy Wallach
pp. 123-127
DOI: https://doi.org/10.1353/amu.2005.0012
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Music in North India: Experiencing Music, Expressing Culture (review)

Thomas M. Hunter
pp. 127-129
DOI: https://doi.org/10.1353/amu.2005.0006
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Beyond (review)

Henry Mabley Johnson
pp. 130-132
DOI: https://doi.org/10.1353/amu.2005.0007
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From Africa to India: Music of the Sidis and the Indian Ocean Diaspora (review)

Amelia Maciszewski
pp. 132-135
DOI: https://doi.org/10.1353/amu.2005.0008
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Told in Heaven to Become Stories on Earth: A Study of Change in Randai Theatre of the Minangkabau in West Sumatra using Visual Documentation from the 1930s (review)

Veit Erlmann
pp. 135-137
DOI: https://doi.org/10.1353/amu.2005.0005
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About the Contributors

pp. 139-141
DOI: https://doi.org/10.1353/amu.2005.0001
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