1. Relationships between Prosodic and Musical Meters in the Beste Form of Classical Turkish Music
  2. Tolga Bektaş
  3. pp. 1-26
  4. DOI: 10.1353/amu.2005.0003
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  1. The Donkey's Ears Go Flop, Flop: Miyagi Michio's Koto Works for Children
  2. Anne Prescott
  3. pp. 27-43
  4. DOI: 10.1353/amu.2005.0009
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  1. Collaborative Music in the Performance of the Balinese Shadow Theater
  2. I Nyoman Sedana
  3. pp. 44-59
  4. DOI: 10.1353/amu.2005.0010
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  1. Pandits in the Movies: Contesting the Identity of Hindustani Classical Music and Musicians in the Hindi Popular Cinema
  2. Greg Booth
  3. pp. 60-86
  4. DOI: 10.1353/amu.2005.0004
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  1. Cultural Politics: The African American Connection in Asian American Jazz-based Music
  2. Susan Miyo Asai
  3. pp. 87-108
  4. DOI: 10.1353/amu.2005.0002
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  1. Review Essay: Wayan Gandera and the Hidden History of Gamelan Gong Kebyar
  2. Michael Tenzer
  3. pp. 109-122
  4. DOI: 10.1353/amu.2005.0011
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  1. Songs and Gifts at the Frontier: Person and Exchange in the Agusan Manobo Possession Ritual, Philippines (review)
  2. Jeremy Wallach
  3. pp. 123-127
  4. DOI: 10.1353/amu.2005.0012
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  1. Music in North India: Experiencing Music, Expressing Culture (review)
  2. Thomas M. Hunter
  3. pp. 127-129
  4. DOI: 10.1353/amu.2005.0006
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  1. Beyond (review)
  2. Henry Mabley Johnson
  3. pp. 130-132
  4. DOI: 10.1353/amu.2005.0007
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  1. From Africa to India: Music of the Sidis and the Indian Ocean Diaspora (review)
  2. Amelia Maciszewski
  3. pp. 132-135
  4. DOI: 10.1353/amu.2005.0008
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  1. Told in Heaven to Become Stories on Earth: A Study of Change in Randai Theatre of the Minangkabau in West Sumatra using Visual Documentation from the 1930s (review)
  2. Veit Erlmann
  3. pp. 135-137
  4. DOI: 10.1353/amu.2005.0005
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  1. About the Contributors
  3. pp. 139-141
  4. DOI: 10.1353/amu.2005.0001
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