In this Issue

Table of Contents

Editorial Comment: The Edges of the Theatrical Event

Jean Graham-Jones
pp. iv-vi
DOI: https://doi.org/10.1353/tj.2005.0017
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Selling the Bird: Richard Walton Tully's The Bird of Paradise and the Dynamics of Theatrical Commodification

Christopher B. Balme
pp. 1-20
DOI: https://doi.org/10.1353/tj.2005.0002
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"A Supplement to Public Laws": Arthur Murphy, David Garrick, and Hamlet, with Alterations

Richard W. Schoch
pp. 21-32
DOI: https://doi.org/10.1353/tj.2005.0031
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Outside the Box: The Female Spectator, The Fair Penitent, and the Kelly Riots of 1747

Susan C. Harris
pp. 33-55
DOI: https://doi.org/10.1353/tj.2005.0018
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Do You Believe in Fairies?: The Hiss of Dramatic License

Tracy C. Davis
pp. 57-81
DOI: https://doi.org/10.1353/tj.2005.0007
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Rabbits, Machines, and the Ontology of Performance

Aleksandra Wolska
pp. 83-95
DOI: https://doi.org/10.1353/tj.2005.0040
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Performance Review

Measure for Measure (review)

D. J. Hopkins, Shelley Orr
pp. 97-100
DOI: https://doi.org/10.1353/tj.2005.0019
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The Parable of the Plums (review)

Matthew J. Spangler
pp. 100-103
DOI: https://doi.org/10.1353/tj.2005.0035
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Babel (review)

Stanton B. Garner
pp. 103-104
DOI: https://doi.org/10.1353/tj.2005.0016
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Tyranny of Bliss (review)

Kim Solga
pp. 105-106
DOI: https://doi.org/10.1353/tj.2005.0034
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Peach Blossom Fan (review)

Kevin J. Wetmore
pp. 106-109
DOI: https://doi.org/10.1353/tj.2005.0038
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Master & Margarita (review)

Julia Whitworth
pp. 109-110
DOI: https://doi.org/10.1353/tj.2005.0039
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The Big Life: The Ska Musical (review)

Lesley Ferris
pp. 110-112
DOI: https://doi.org/10.1353/tj.2005.0013
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Oedipus the King (review)

Catherine Diamond
pp. 112-114
DOI: https://doi.org/10.1353/tj.2005.0008
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Lulu: A Monster Tragedy (review)

Milan Pribisic
pp. 114-115
DOI: https://doi.org/10.1353/tj.2005.0028
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The Elephant Vanishes (review)

Mary Fleischer
pp. 115-117
DOI: https://doi.org/10.1353/tj.2005.0014
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The Ko Festival of Performance (review)

Kermit Dunkelberg
pp. 117-120
DOI: https://doi.org/10.1353/tj.2005.0010
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The Miser (review)

Virginia Scott
pp. 120-122
DOI: https://doi.org/10.1353/tj.2005.0033
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A Streetcar Named Desire (review)

Ray Schultz
pp. 122-125
DOI: https://doi.org/10.1353/tj.2005.0032
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Charlie Victor Romeo (review)

Lara D. Nielsen
pp. 125-127
DOI: https://doi.org/10.1353/tj.2005.0027
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Doors Open on the Right, and: Invasion Free Since 1812 (review)

Kathryn Farley
pp. 127-129
DOI: https://doi.org/10.1353/tj.2005.0012
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Book Review

Space and Time in Epic Theater: The Brechtian Legacy (review)

Susan Russell
pp. 131-132
DOI: https://doi.org/10.1353/tj.2005.0030
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Yiddish Theatre: New Approaches (review)

Henry Bial
pp. 132-133
DOI: https://doi.org/10.1353/tj.2005.0004
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Early American Theatre from the Revolution to Thomas Jefferson: Into the Hands of the People (review)

Odai Johnson
pp. 133-134
DOI: https://doi.org/10.1353/tj.2005.0020
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Theatre, Culture and Temperance Reform in Nineteenth-Century America (review)

Elizabeth Reitz Mullenix
pp. 135-136
DOI: https://doi.org/10.1353/tj.2005.0025
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Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture (review)

David Carlyon
pp. 136-137
DOI: https://doi.org/10.1353/tj.2005.0006
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From Traveling Show to Vaudeville: Theatrical Spectacle in America, 1830-1910 (review)

Annemarie Bean
pp. 137-138
DOI: https://doi.org/10.1353/tj.2005.0003
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Composing Ourselves: The Little Theatre Movement and the American Audience (review)

Katie N. Johnson
pp. 138-140
DOI: https://doi.org/10.1353/tj.2005.0021
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Clifford Odets and American Political Theatre (review)

Kurt A. Edwards
pp. 140-141
DOI: https://doi.org/10.1353/tj.2005.0011
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The Temptation of Innocence in the Dramas of Arthur Miller (review)

Richard Tharp
pp. 141-142
DOI: https://doi.org/10.1353/tj.2005.0036
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Theatre Talk: Voices of Irish Theatre Practitioners, and: Theatre Stuff: Critical Essays on Contemporary Irish Theatre (review)

Mary Trotter
pp. 142-144
DOI: https://doi.org/10.1353/tj.2005.0037
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Strategies of Political Theatre: Post-War British Playwrights (review)

David Richard Jones
pp. 144-145
DOI: https://doi.org/10.1353/tj.2005.0022
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Staged Properties in Early Modern English Drama (review)

Patrick Neilson
pp. 145-147
DOI: https://doi.org/10.1353/tj.2005.0026
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Manhood and the Duel: Masculinity in Early Modern Drama and Culture (review)

Zachary A. Dorsey
pp. 147-148
DOI: https://doi.org/10.1353/tj.2005.0009
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Greek and Roman Actors: Aspects of an Ancient Profession (review)

Judith Fletcher
pp. 148-149
DOI: https://doi.org/10.1353/tj.2005.0015
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Achilles in Greek Tragedy (review)

Anna Andes
pp. 149-151
DOI: https://doi.org/10.1353/tj.2005.0001
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Interfaces: Women, Autobiography, Image, Performance (review)

Kirsten Pullen
pp. 151-152
DOI: https://doi.org/10.1353/tj.2005.0029
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Professing Performance: Theatre in the Academy from Philology to Performativity (review)

David Krasner
pp. 152-153
DOI: https://doi.org/10.1353/tj.2005.0023
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National Abjection: The Asian American Body Onstage (review)

Esther Kim Lee
pp. 154-155
DOI: https://doi.org/10.1353/tj.2005.0024
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Books Received

Books Received

pp. 155-162
DOI: https://doi.org/10.1353/tj.2005.0005
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