1. Selling the Bird: Richard Walton Tully's The Bird of Paradise and the Dynamics of Theatrical Commodification
  2. Christopher B. Balme
  3. pp. 1-20
  4. DOI: 10.1353/tj.2005.0002
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  1. "A Supplement to Public Laws": Arthur Murphy, David Garrick, and Hamlet, with Alterations
  2. Richard W. Schoch
  3. pp. 21-32
  4. DOI: 10.1353/tj.2005.0031
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  1. Outside the Box: The Female Spectator, The Fair Penitent, and the Kelly Riots of 1747
  2. Susan C. Harris
  3. pp. 33-55
  4. DOI: 10.1353/tj.2005.0018
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  1. Do You Believe in Fairies?: The Hiss of Dramatic License
  2. Tracy C. Davis
  3. pp. 57-81
  4. DOI: 10.1353/tj.2005.0007
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  1. Rabbits, Machines, and the Ontology of Performance
  2. Aleksandra Wolska
  3. pp. 83-95
  4. DOI: 10.1353/tj.2005.0040
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  1. Measure for Measure (review)
  2. D. J. Hopkins, Shelley Orr
  3. pp. 97-100
  4. DOI: 10.1353/tj.2005.0019
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  1. The Parable of the Plums (review)
  2. Matthew J. Spangler
  3. pp. 100-103
  4. DOI: 10.1353/tj.2005.0035
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  1. Babel (review)
  2. Stanton B. Garner
  3. pp. 103-104
  4. DOI: 10.1353/tj.2005.0016
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  1. Tyranny of Bliss (review)
  2. Kim Solga
  3. pp. 105-106
  4. DOI: 10.1353/tj.2005.0034
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  1. Peach Blossom Fan (review)
  2. Kevin J. Wetmore
  3. pp. 106-109
  4. DOI: 10.1353/tj.2005.0038
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  1. Master & Margarita (review)
  2. Julia Whitworth
  3. pp. 109-110
  4. DOI: 10.1353/tj.2005.0039
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  1. The Big Life: The Ska Musical (review)
  2. Lesley Ferris
  3. pp. 110-112
  4. DOI: 10.1353/tj.2005.0013
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  1. Oedipus the King (review)
  2. Catherine Diamond
  3. pp. 112-114
  4. DOI: 10.1353/tj.2005.0008
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  1. Lulu: A Monster Tragedy (review)
  2. Milan Pribisic
  3. pp. 114-115
  4. DOI: 10.1353/tj.2005.0028
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  1. The Elephant Vanishes (review)
  2. Mary Fleischer
  3. pp. 115-117
  4. DOI: 10.1353/tj.2005.0014
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  1. The Ko Festival of Performance (review)
  2. Kermit Dunkelberg
  3. pp. 117-120
  4. DOI: 10.1353/tj.2005.0010
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  1. The Miser (review)
  2. Virginia Scott
  3. pp. 120-122
  4. DOI: 10.1353/tj.2005.0033
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  1. A Streetcar Named Desire (review)
  2. Ray Schultz
  3. pp. 122-125
  4. DOI: 10.1353/tj.2005.0032
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  1. Charlie Victor Romeo (review)
  2. Lara D. Nielsen
  3. pp. 125-127
  4. DOI: 10.1353/tj.2005.0027
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  1. Doors Open on the Right, and: Invasion Free Since 1812 (review)
  2. Kathryn Farley
  3. pp. 127-129
  4. DOI: 10.1353/tj.2005.0012
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  1. Space and Time in Epic Theater: The Brechtian Legacy (review)
  2. Susan Russell
  3. pp. 131-132
  4. DOI: 10.1353/tj.2005.0030
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  1. Yiddish Theatre: New Approaches (review)
  2. Henry Bial
  3. pp. 132-133
  4. DOI: 10.1353/tj.2005.0004
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  1. Early American Theatre from the Revolution to Thomas Jefferson: Into the Hands of the People (review)
  2. Odai Johnson
  3. pp. 133-134
  4. DOI: 10.1353/tj.2005.0020
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  1. Theatre, Culture and Temperance Reform in Nineteenth-Century America (review)
  2. Elizabeth Reitz Mullenix
  3. pp. 135-136
  4. DOI: 10.1353/tj.2005.0025
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  1. Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture (review)
  2. David Carlyon
  3. pp. 136-137
  4. DOI: 10.1353/tj.2005.0006
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  1. From Traveling Show to Vaudeville: Theatrical Spectacle in America, 1830-1910 (review)
  2. Annemarie Bean
  3. pp. 137-138
  4. DOI: 10.1353/tj.2005.0003
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  1. Composing Ourselves: The Little Theatre Movement and the American Audience (review)
  2. Katie N. Johnson
  3. pp. 138-140
  4. DOI: 10.1353/tj.2005.0021
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  1. Clifford Odets and American Political Theatre (review)
  2. Kurt A. Edwards
  3. pp. 140-141
  4. DOI: 10.1353/tj.2005.0011
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  1. The Temptation of Innocence in the Dramas of Arthur Miller (review)
  2. Richard Tharp
  3. pp. 141-142
  4. DOI: 10.1353/tj.2005.0036
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  1. Theatre Talk: Voices of Irish Theatre Practitioners, and: Theatre Stuff: Critical Essays on Contemporary Irish Theatre (review)
  2. Mary Trotter
  3. pp. 142-144
  4. DOI: 10.1353/tj.2005.0037
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  1. Strategies of Political Theatre: Post-War British Playwrights (review)
  2. David Richard Jones
  3. pp. 144-145
  4. DOI: 10.1353/tj.2005.0022
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  1. Staged Properties in Early Modern English Drama (review)
  2. Patrick Neilson
  3. pp. 145-147
  4. DOI: 10.1353/tj.2005.0026
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  1. Manhood and the Duel: Masculinity in Early Modern Drama and Culture (review)
  2. Zachary A. Dorsey
  3. pp. 147-148
  4. DOI: 10.1353/tj.2005.0009
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  1. Greek and Roman Actors: Aspects of an Ancient Profession (review)
  2. Judith Fletcher
  3. pp. 148-149
  4. DOI: 10.1353/tj.2005.0015
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  1. Achilles in Greek Tragedy (review)
  2. Anna Andes
  3. pp. 149-151
  4. DOI: 10.1353/tj.2005.0001
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  1. Interfaces: Women, Autobiography, Image, Performance (review)
  2. Kirsten Pullen
  3. pp. 151-152
  4. DOI: 10.1353/tj.2005.0029
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  1. Professing Performance: Theatre in the Academy from Philology to Performativity (review)
  2. David Krasner
  3. pp. 152-153
  4. DOI: 10.1353/tj.2005.0023
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  1. National Abjection: The Asian American Body Onstage (review)
  2. Esther Kim Lee
  3. pp. 154-155
  4. DOI: 10.1353/tj.2005.0024
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  1. Editorial Comment: The Edges of the Theatrical Event
  2. Jean Graham-Jones
  3. pp. iv-vi
  4. DOI: 10.1353/tj.2005.0017
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  1. Books Received
  2. pp. 155-162
  3. DOI: 10.1353/tj.2005.0005
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