+ MUSE Alert

In this Issue

Table of Contents

  1. The Woman in White: Whistler, Hiffernan, Courbet, Du Maurier
  2. Nicholas Daly
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/mod.2005.0039
  5. restricted access
  1. Eliot Among the Typists: Writing The Waste Land
  2. Lawrence S. Rainey
  3. pp. 27-84
  4. DOI: https://doi.org/10.1353/mod.2005.0049
  5. restricted access
  1. The Neobaroque in Djuna Barnes
  2. Monika Kaup
  3. pp. 85-110
  4. DOI: https://doi.org/10.1353/mod.2005.0043
  5. restricted access
  1. Realism, Late Modernist Abstraction, and Sylvia Townsend Warner's Fictions of Impersonality
  2. David James
  3. pp. 111-131
  4. DOI: https://doi.org/10.1353/mod.2005.0042
  5. restricted access
  1. Conflict and Commemoration: Two Berlin Memorials
  2. Henry W. Pickford
  3. pp. 133-173
  4. DOI: https://doi.org/10.1353/mod.2005.0048
  5. restricted access
  1. Object Lessons: Surrealist Art, Surrealist Politics
  2. Jonathan P. Eburne
  3. pp. 175-181
  4. DOI: https://doi.org/10.1353/mod.2005.0040
  5. restricted access
  1. Against Fashion: Clothing as Art, 1850-1930 (review)
  2. Diana Crane
  3. pp. 183-184
  4. DOI: https://doi.org/10.1353/mod.2005.0038
  5. restricted access
  1. Waxworks: A Cultural Obsession (review)
  2. Roger Luckhurst
  3. pp. 184-186
  4. DOI: https://doi.org/10.1353/mod.2005.0034
  5. restricted access
  1. Colonial Strangers: Women Writing the End of the British Empire (review)
  2. Kristin Bluemel
  3. pp. 186-188
  4. DOI: https://doi.org/10.1353/mod.2005.0033
  5. restricted access
  1. AngloModern: Painting and Modernity in Britain and the United States (review)
  2. Maggie Humm
  3. pp. 188-190
  4. DOI: https://doi.org/10.1353/mod.2005.0041
  5. restricted access
  1. Translation and the Languages of Modernism: Gender, Politics, Language (review)
  2. Christopher Bush
  3. pp. 190-191
  4. DOI: https://doi.org/10.1353/mod.2005.0035
  5. restricted access
  1. Henry James and Queer Modernity (review)
  2. Jesse Matz
  3. pp. 192-193
  4. DOI: https://doi.org/10.1353/mod.2005.0046
  5. restricted access
  1. Ezra Pound and China (review)
  2. Robert Kern
  3. pp. 194-196
  4. DOI: https://doi.org/10.1353/mod.2005.0044
  5. restricted access
  1. The Modernist Response to Chinese Art: Pound, Moore, Stevens (review)
  2. Lidan Lin
  3. pp. 196-198
  4. DOI: https://doi.org/10.1353/mod.2005.0045
  5. restricted access
  1. T.S. Eliot and the Cultural Divide (review)
  2. Ronald Bush
  3. pp. 198-200
  4. DOI: https://doi.org/10.1353/mod.2005.0036
  5. restricted access
  1. Understanding Anthony Powell (review)
  2. Christine Berberich
  3. pp. 200-202
  4. DOI: https://doi.org/10.1353/mod.2005.0032
  5. restricted access
  1. The Splendid Drunken Twenties: Selections From the Daybooks 1922-1930 (review)
  2. Kathleen Pfeiffer
  3. pp. 202-203
  4. DOI: https://doi.org/10.1353/mod.2005.0047
  5. restricted access
  1. Art and Fear (review)
  2. Frances S. Connelly
  3. pp. 204-206
  4. DOI: https://doi.org/10.1353/mod.2005.0037
  5. restricted access
  1. Recent Books of Interest
  3. pp. 207-208
  4. DOI: https://doi.org/10.1353/mod.2005.0031
  5. restricted access