1. Dostoevsky and the Literature of the American South
  2. Maria R. Bloshteyn
  3. pp. 1-24
  4. DOI: 10.1353/slj.2005.0002
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  1. Burning Mrs. Southworth: True Womanhood and the Intertext of Ellen Glasgow's Virginia
  2. Paul C. Jones
  3. pp. 25-40
  4. DOI: 10.1353/slj.2005.0008
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  1. Simms in the War-Time Richmond Weeklies
  2. Miriam Jones Shillingsburg
  3. pp. 41-52
  4. DOI: 10.1353/slj.2005.0011
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  1. The Escape of the "Sea": Ideology and The Awakening
  2. Jennifer B. Gray
  3. pp. 53-73
  4. DOI: 10.1353/slj.2005.0006
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  1. "Some Other Way to Try": From Defiance to Creative Submission in Their Eyes Were Watching God
  2. Shawn E. Miller
  3. pp. 74-95
  4. DOI: 10.1353/slj.2005.0010
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  1. Ralph Ellison's Invisible Man : Invisibility, Race, and Homoeroticism from Frederick Douglass to E. Lynn Harris
  2. Michael Hardin
  3. pp. 96-120
  4. DOI: 10.1353/slj.2005.0007
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  1. The Changing Landscape of Violence in Cormac McCarthy's Early Novels and the Border Trilogy
  2. Vince Brewton
  3. pp. 121-143
  4. DOI: 10.1353/slj.2005.0003
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  1. The Wounded King: Bobbie Ann Mason's "Shiloh" and Marginalized Male Subjectivity
  2. Greg W. Bentley
  3. pp. 144-161
  4. DOI: 10.1353/slj.2005.0001
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  1. A Telling Labor
  2. Edward J. Dupuy
  3. pp. 163-166
  4. DOI: 10.1353/slj.2005.0004
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  1. Politics and the White Southern Woman Writer
  2. Jon Smith
  3. pp. 167-172
  4. DOI: 10.1353/slj.2005.0012
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  1. The Belle Gone Bad--and Just Gone
  2. Carol S. Manning
  3. pp. 173-175
  4. DOI: 10.1353/slj.2005.0009
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  1. Southern Women Writers, Racism, and Racists
  2. Dawn Trouard
  3. pp. 176-178
  4. DOI: 10.1353/slj.2005.0013
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  1. Two on Flannery O'Conner
  2. Joseph M. Flora
  3. pp. 179-181
  4. DOI: 10.1353/slj.2005.0005
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