In this Issue

Table of Contents

The Editor's Reflections and Reports

Peter C. Rollins
pp. 1-8
DOI: https://doi.org/10.1353/flm.2004.0043
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A Pioneer of Historic Proportions: John E. O'Connor

Jim Welsh
pp. 10-12
DOI: https://doi.org/10.1353/flm.2004.0046
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Turning Pages on Latin American Film and History Studies

Scott L. Baugh, Michael K. Schoenecke
pp. 13-14
DOI: https://doi.org/10.1353/flm.2004.0033
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The International Politics of Cinematic Coproduction: Spanish Policy in Latin America

Hoefert de Turegano, Teresa
pp. 15-24
DOI: https://doi.org/10.1353/flm.2004.0050
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Developing History/Historicizing Development in Mexican Nuevo Cine Manifestoes around "la Crisis"

Scott L. Baugh
pp. 25-37
DOI: https://doi.org/10.1353/flm.2004.0034
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Vicarious Identities: Fantasies of Resistance and Language in Juan Ibanez's Los caifanes (1966)

Nohemy Solorzano-Thompson
pp. 38-45
DOI: https://doi.org/10.1353/flm.2004.0045
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Combates por la historia: Interpretaciones de la historia del movimiento obrero en el cine militante argentino al principio de los 1970's

Valeria Manzano
pp. 46-57
DOI: https://doi.org/10.1353/flm.2004.0042
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Imagi(ni)ng Indigenous Spaces: Self and Other Converge in Latin America

Luisela Alvaray
pp. 58-64
DOI: https://doi.org/10.1353/flm.2004.0032
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Latin American History and Critical Media Studies: Curricular Explorations

Scott L. Baugh
pp. 65-85
DOI: https://doi.org/10.1353/flm.2004.0035
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An Interview with Michael Moore

John C. Tibbetts, Michael, 1954 Apr. 23- Moore
pp. 86-88
DOI: https://doi.org/10.1353/flm.2004.0049
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An Honest Life: The Life and Times of James T. Farrell (review)

Robert Fyne
pp. 89-90
DOI: https://doi.org/10.1353/flm.2004.0039
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Godard: A Portrait of the Artist at Seventy (review)

David Lancaster
pp. 90-91
DOI: https://doi.org/10.1353/flm.2004.0040
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Hide In Plain Sight: The Hollywood Blacklistees In Film And Television, 1950-2002 (review)

Tom Stempel
pp. 91-92
DOI: https://doi.org/10.1353/flm.2004.0047
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Keystone: The Life and Clowns of Mack Sennett (review)

Michael S. Shull
pp. 92-93
DOI: https://doi.org/10.1353/flm.2004.0044
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Now You See It: Studies in Lesbian and Gay Film (review)

David Lancaster
pp. 93-94
DOI: https://doi.org/10.1353/flm.2004.0041
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Let the Credits Roll: Interviews with Film Crews (review)

Tom Stempel
p. 95
DOI: https://doi.org/10.1353/flm.2004.0048
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The Moviegoing Experience, 1968-2001 (review)

Erwin F. Erhardt
pp. 96-97
DOI: https://doi.org/10.1353/flm.2004.0038
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Movies Were Always Magical: Interviews with 19 Actors, Directors, and Producers from the Hollywood of the 1930s through the 1950s (review)

Robert J. Cirasa
pp. 97-98
DOI: https://doi.org/10.1353/flm.2004.0037
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Cold War Fantasies: Film, Fiction, and Foreign Policy (review)

Ron Von Burg
pp. 98-99
DOI: https://doi.org/10.1353/flm.2004.0036
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