1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 1-8
  4. DOI: 10.1353/flm.2004.0043
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  1. A Pioneer of Historic Proportions: John E. O'Connor
  2. Jim Welsh
  3. pp. 10-12
  4. DOI: 10.1353/flm.2004.0046
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  1. Turning Pages on Latin American Film and History Studies
  2. Scott L. Baugh, Michael K. Schoenecke
  3. pp. 13-14
  4. DOI: 10.1353/flm.2004.0033
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  1. The International Politics of Cinematic Coproduction: Spanish Policy in Latin America
  2. Hoefert de Turegano, Teresa
  3. pp. 15-24
  4. DOI: 10.1353/flm.2004.0050
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  1. Developing History/Historicizing Development in Mexican Nuevo Cine Manifestoes around "la Crisis"
  2. Scott L. Baugh
  3. pp. 25-37
  4. DOI: 10.1353/flm.2004.0034
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  1. Vicarious Identities: Fantasies of Resistance and Language in Juan Ibanez's Los caifanes (1966)
  2. Nohemy Solorzano-Thompson
  3. pp. 38-45
  4. DOI: 10.1353/flm.2004.0045
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  1. Imagi(ni)ng Indigenous Spaces: Self and Other Converge in Latin America
  2. Luisela Alvaray
  3. pp. 58-64
  4. DOI: 10.1353/flm.2004.0032
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  1. Latin American History and Critical Media Studies: Curricular Explorations
  2. Scott L. Baugh
  3. pp. 65-85
  4. DOI: 10.1353/flm.2004.0035
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  1. An Interview with Michael Moore
  2. John C. Tibbetts, Michael, 1954 Apr. 23- Moore
  3. pp. 86-88
  4. DOI: 10.1353/flm.2004.0049
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  1. An Honest Life: The Life and Times of James T. Farrell (review)
  2. Robert Fyne
  3. pp. 89-90
  4. DOI: 10.1353/flm.2004.0039
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  1. Godard: A Portrait of the Artist at Seventy (review)
  2. David Lancaster
  3. pp. 90-91
  4. DOI: 10.1353/flm.2004.0040
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  1. Hide In Plain Sight: The Hollywood Blacklistees In Film And Television, 1950-2002 (review)
  2. Tom Stempel
  3. pp. 91-92
  4. DOI: 10.1353/flm.2004.0047
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  1. Keystone: The Life and Clowns of Mack Sennett (review)
  2. Michael S. Shull
  3. pp. 92-93
  4. DOI: 10.1353/flm.2004.0044
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  1. Now You See It: Studies in Lesbian and Gay Film (review)
  2. David Lancaster
  3. pp. 93-94
  4. DOI: 10.1353/flm.2004.0041
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  1. Let the Credits Roll: Interviews with Film Crews (review)
  2. Tom Stempel
  3. p. 95
  4. DOI: 10.1353/flm.2004.0048
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  1. The Moviegoing Experience, 1968-2001 (review)
  2. Erwin F. Erhardt
  3. pp. 96-97
  4. DOI: 10.1353/flm.2004.0038
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  1. Cold War Fantasies: Film, Fiction, and Foreign Policy (review)
  2. Ron Von Burg
  3. pp. 98-99
  4. DOI: 10.1353/flm.2004.0036
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