In this Issue

Table of Contents

It

Joseph R. Roach
pp. 555-568
DOI: https://doi.org/10.1353/tj.2004.0179
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Marina Abramovic: Witnessing Shadows

Peggy Phelan
pp. 569-577
DOI: https://doi.org/10.1353/tj.2004.0178
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Black Man, Blind Man: Disability Identity Politics and Performance

Carrie Sandahl
pp. 579-602
DOI: https://doi.org/10.1353/tj.2004.0180
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Dancing with "Racial Feet": Bert Williams and the Performance of Blackness

Camille F. Forbes
pp. 603-625
DOI: https://doi.org/10.1353/tj.2004.0164
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Charles Parsloe's Chinese Fetish: An Example of Yellowface Performance in Nineteenth-Century American Melodrama

Sean Metzger
pp. 627-651
DOI: https://doi.org/10.1353/tj.2004.0174
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Toward a Phenomenological Model of the Actor's Embodied Modes of Experience

Phillip B. Zarrilli
pp. 653-666
DOI: https://doi.org/10.1353/tj.2004.0189
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Caroline, or Change (review)

James Fisher
pp. 667-670
DOI: https://doi.org/10.1353/tj.2004.0163
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Things of Dry Hours (review)

Claudia Barnett
pp. 670-672
DOI: https://doi.org/10.1353/tj.2004.0145
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Well (review)

Sarah Lansdale Stevenson
pp. 672-674
DOI: https://doi.org/10.1353/tj.2004.0184
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Big Bill (review)

Roger A. Hall
pp. 674-675
DOI: https://doi.org/10.1353/tj.2004.0165
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Prymate (review)

Trish Thomas Henley
pp. 676-678
DOI: https://doi.org/10.1353/tj.2004.0166
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The Normal Heart (review)

Jordan Schildcrout
pp. 678-680
DOI: https://doi.org/10.1353/tj.2004.0181
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Stones in His Pockets (review)

Joyce Spivey Aldridge
pp. 680-682
DOI: https://doi.org/10.1353/tj.2004.0143
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The Quare Fellow (review)

Heidi Holder
pp. 682-683
DOI: https://doi.org/10.1353/tj.2004.0168
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Othello (review)

Stuart Young
pp. 684-685
DOI: https://doi.org/10.1353/tj.2004.0188
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The Mysteries (review)

Garrett Eisler
pp. 685-688
DOI: https://doi.org/10.1353/tj.2004.0159
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Mourning Becomes Electra, and: The Pillowman (review)

Michael Charles O'Neill
pp. 688-691
DOI: https://doi.org/10.1353/tj.2004.0191
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Alladeen (review)

Mark J. Sussman
pp. 695-697
DOI: https://doi.org/10.1353/tj.2004.0187
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Death and the Ploughman (review)

Mark Seamon
pp. 697-698
DOI: https://doi.org/10.1353/tj.2004.0183
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PAC/Edge Performance Festival (review)

Roger Bechtel
pp. 699-701
DOI: https://doi.org/10.1353/tj.2004.0147
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Madama Butterfly (review)

Steve Earnest
pp. 701-703
DOI: https://doi.org/10.1353/tj.2004.0158
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Bombay Dreams (review)

Neilesh Bose
pp. 703-705
DOI: https://doi.org/10.1353/tj.2004.0150
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The Musical of Musicals (The Musical!) (review)

James M. Cherry
pp. 705-706
DOI: https://doi.org/10.1353/tj.2004.0156
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Editor's Comments

Dorothy Chansky
p. 707
DOI: https://doi.org/10.1353/tj.2004.0155
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Feminist Views on the English Stage: Women Playwrights, 1990-2000 (review)

Lesley Ferris
pp. 708-709
DOI: https://doi.org/10.1353/tj.2004.0162
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Performing Menken: Adah Isaacs Menken and the Birth of American Celebrity (review)

Noreen C. Barnes
pp. 709-710
DOI: https://doi.org/10.1353/tj.2004.0144
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New Readings in Theatre History (review)

Catherine B. Burroughs
pp. 710-712
DOI: https://doi.org/10.1353/tj.2004.0154
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The Female Hero in English Renaissance Tragedy, and: The Female Tragic Hero in English Renaissance Drama, and: The Renaissance of Lesbianism in Early Modern England (review)

Elizabeth Klett
pp. 712-714
DOI: https://doi.org/10.1353/tj.2004.0171
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Shakespeare and Feminist Performance: Ideology on Stage (review)

Susann E. Suprenant
pp. 714-715
DOI: https://doi.org/10.1353/tj.2004.0186
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I'll Tell You What: The Life of Elizabeth Inchbald (review)

Barbara Mackey
pp. 715-716
DOI: https://doi.org/10.1353/tj.2004.0173
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Jane Austen and the Theatre (review)

Gail Turley Houston
pp. 716-718
DOI: https://doi.org/10.1353/tj.2004.0169
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Theatre Symposium: Representations of Gender on the Nineteenth-Century American Stage (review)

Leah Lowe
pp. 718-719
DOI: https://doi.org/10.1353/tj.2004.0172
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The Women of Provincetown, 1915-1922 (review)

Anne Beck
pp. 719-720
DOI: https://doi.org/10.1353/tj.2004.0148
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Isadora: A Sensational Life (review)

Penny Farfan
pp. 720-722
DOI: https://doi.org/10.1353/tj.2004.0161
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The Girl Who Fell Down: A Biography of Joan McCracken (review)

Chase Bringardner
pp. 722-723
DOI: https://doi.org/10.1353/tj.2004.0153
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"That furious lesbian": The Story of Mercedes de Acosta, and: Women in Turmoil: Six Plays by Mercedes de Acosta (review)

Andrea Nouryeh
pp. 723-725
DOI: https://doi.org/10.1353/tj.2004.0175
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Imagining Medea: Rhodessa Jones and Theater for Incarcerated Women (review)

Catherine M. Cole
pp. 725-726
DOI: https://doi.org/10.1353/tj.2004.0157
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Medea's Daughters: Forming and Performing the Woman Who Kills (review)

Sarah Bay-Cheng
pp. 726-727
DOI: https://doi.org/10.1353/tj.2004.0146
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The Theatre of Marina Carr: "Before Rules Was Made" (review)

Deirdre O'Leary
pp. 727-728
DOI: https://doi.org/10.1353/tj.2004.0190
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Beth Henley: A Casebook (review)

Rebecca Hewett
pp. 729-730
DOI: https://doi.org/10.1353/tj.2004.0167
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What Ever: A Living Novel (review)

Jennifer Schlueter
pp. 730-731
DOI: https://doi.org/10.1353/tj.2004.0182
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Contemporary Black and Asian Women Playwrights in Britain (review)

Terry Stoller
pp. 731-732
DOI: https://doi.org/10.1353/tj.2004.0185
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The Theatre Journal Auto/Archive: Herbert Blau

Herbert Blau
pp. 733-744
DOI: https://doi.org/10.1353/tj.2004.0149
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Index to Volume 56

pp. 749-757
DOI: https://doi.org/10.1353/tj.2004.0170
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Peter and Jerry. Act I: Homelife. Act II: The Zoo Story (review)

Karen Bovard
pp. 991-993
DOI: https://doi.org/10.1353/tj.2004.0152
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Editorial Comment

Harry Justin Elam
pp. vii-viii
DOI: https://doi.org/10.1353/tj.2004.0160
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Poor Theater: A Series of Simulacra (review)

Stephen J. Bottoms
pp. 693-695
DOI: https://doi.org/10.1353/tj.2004.0151
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