1. It
  2. Joseph R. Roach
  3. pp. 555-568
  4. DOI: 10.1353/tj.2004.0179
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  1. Marina Abramovic: Witnessing Shadows
  2. Peggy Phelan
  3. pp. 569-577
  4. DOI: 10.1353/tj.2004.0178
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  1. Black Man, Blind Man: Disability Identity Politics and Performance
  2. Carrie Sandahl
  3. pp. 579-602
  4. DOI: 10.1353/tj.2004.0180
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  1. Dancing with "Racial Feet": Bert Williams and the Performance of Blackness
  2. Camille F. Forbes
  3. pp. 603-625
  4. DOI: 10.1353/tj.2004.0164
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  1. Charles Parsloe's Chinese Fetish: An Example of Yellowface Performance in Nineteenth-Century American Melodrama
  2. Sean Metzger
  3. pp. 627-651
  4. DOI: 10.1353/tj.2004.0174
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  1. Toward a Phenomenological Model of the Actor's Embodied Modes of Experience
  2. Phillip B. Zarrilli
  3. pp. 653-666
  4. DOI: 10.1353/tj.2004.0189
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  1. Caroline, or Change (review)
  2. James Fisher
  3. pp. 667-670
  4. DOI: 10.1353/tj.2004.0163
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  1. Things of Dry Hours (review)
  2. Claudia Barnett
  3. pp. 670-672
  4. DOI: 10.1353/tj.2004.0145
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  1. Well (review)
  2. Sarah Lansdale Stevenson
  3. pp. 672-674
  4. DOI: 10.1353/tj.2004.0184
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  1. Big Bill (review)
  2. Roger A. Hall
  3. pp. 674-675
  4. DOI: 10.1353/tj.2004.0165
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  1. Prymate (review)
  2. Trish Thomas Henley
  3. pp. 676-678
  4. DOI: 10.1353/tj.2004.0166
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  1. The Normal Heart (review)
  2. Jordan Schildcrout
  3. pp. 678-680
  4. DOI: 10.1353/tj.2004.0181
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  1. Stones in His Pockets (review)
  2. Joyce Spivey Aldridge
  3. pp. 680-682
  4. DOI: 10.1353/tj.2004.0143
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  1. The Quare Fellow (review)
  2. Heidi Holder
  3. pp. 682-683
  4. DOI: 10.1353/tj.2004.0168
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  1. Othello (review)
  2. Stuart Young
  3. pp. 684-685
  4. DOI: 10.1353/tj.2004.0188
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  1. The Mysteries (review)
  2. Garrett Eisler
  3. pp. 685-688
  4. DOI: 10.1353/tj.2004.0159
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  1. Mourning Becomes Electra, and: The Pillowman (review)
  2. Michael Charles O'Neill
  3. pp. 688-691
  4. DOI: 10.1353/tj.2004.0191
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  1. Alladeen (review)
  2. Mark J. Sussman
  3. pp. 695-697
  4. DOI: 10.1353/tj.2004.0187
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  1. Death and the Ploughman (review)
  2. Mark Seamon
  3. pp. 697-698
  4. DOI: 10.1353/tj.2004.0183
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  1. PAC/Edge Performance Festival (review)
  2. Roger Bechtel
  3. pp. 699-701
  4. DOI: 10.1353/tj.2004.0147
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  1. Madama Butterfly (review)
  2. Steve Earnest
  3. pp. 701-703
  4. DOI: 10.1353/tj.2004.0158
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  1. Bombay Dreams (review)
  2. Neilesh Bose
  3. pp. 703-705
  4. DOI: 10.1353/tj.2004.0150
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  1. The Musical of Musicals (The Musical!) (review)
  2. James M. Cherry
  3. pp. 705-706
  4. DOI: 10.1353/tj.2004.0156
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  1. Editor's Comments
  2. Dorothy Chansky
  3. p. 707
  4. DOI: 10.1353/tj.2004.0155
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  1. Feminist Views on the English Stage: Women Playwrights, 1990-2000 (review)
  2. Lesley Ferris
  3. pp. 708-709
  4. DOI: 10.1353/tj.2004.0162
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  1. Performing Menken: Adah Isaacs Menken and the Birth of American Celebrity (review)
  2. Noreen C. Barnes
  3. pp. 709-710
  4. DOI: 10.1353/tj.2004.0144
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  1. New Readings in Theatre History (review)
  2. Catherine B. Burroughs
  3. pp. 710-712
  4. DOI: 10.1353/tj.2004.0154
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  1. Shakespeare and Feminist Performance: Ideology on Stage (review)
  2. Susann E. Suprenant
  3. pp. 714-715
  4. DOI: 10.1353/tj.2004.0186
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  1. I'll Tell You What: The Life of Elizabeth Inchbald (review)
  2. Barbara Mackey
  3. pp. 715-716
  4. DOI: 10.1353/tj.2004.0173
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  1. Jane Austen and the Theatre (review)
  2. Gail Turley Houston
  3. pp. 716-718
  4. DOI: 10.1353/tj.2004.0169
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  1. Theatre Symposium: Representations of Gender on the Nineteenth-Century American Stage (review)
  2. Leah Lowe
  3. pp. 718-719
  4. DOI: 10.1353/tj.2004.0172
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  1. The Women of Provincetown, 1915-1922 (review)
  2. Anne Beck
  3. pp. 719-720
  4. DOI: 10.1353/tj.2004.0148
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  1. Isadora: A Sensational Life (review)
  2. Penny Farfan
  3. pp. 720-722
  4. DOI: 10.1353/tj.2004.0161
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  1. The Girl Who Fell Down: A Biography of Joan McCracken (review)
  2. Chase Bringardner
  3. pp. 722-723
  4. DOI: 10.1353/tj.2004.0153
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  1. "That furious lesbian": The Story of Mercedes de Acosta, and: Women in Turmoil: Six Plays by Mercedes de Acosta (review)
  2. Andrea Nouryeh
  3. pp. 723-725
  4. DOI: 10.1353/tj.2004.0175
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  1. Imagining Medea: Rhodessa Jones and Theater for Incarcerated Women (review)
  2. Catherine M. Cole
  3. pp. 725-726
  4. DOI: 10.1353/tj.2004.0157
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  1. Medea's Daughters: Forming and Performing the Woman Who Kills (review)
  2. Sarah Bay-Cheng
  3. pp. 726-727
  4. DOI: 10.1353/tj.2004.0146
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  1. The Theatre of Marina Carr: "Before Rules Was Made" (review)
  2. Deirdre O'Leary
  3. pp. 727-728
  4. DOI: 10.1353/tj.2004.0190
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  1. Beth Henley: A Casebook (review)
  2. Rebecca Hewett
  3. pp. 729-730
  4. DOI: 10.1353/tj.2004.0167
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  1. What Ever: A Living Novel (review)
  2. Jennifer Schlueter
  3. pp. 730-731
  4. DOI: 10.1353/tj.2004.0182
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  1. Contemporary Black and Asian Women Playwrights in Britain (review)
  2. Terry Stoller
  3. pp. 731-732
  4. DOI: 10.1353/tj.2004.0185
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  1. The Theatre Journal Auto/Archive: Herbert Blau
  2. Herbert Blau
  3. pp. 733-744
  4. DOI: 10.1353/tj.2004.0149
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  1. Index to Volume 56
  2. pp. 749-757
  3. DOI: 10.1353/tj.2004.0170
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  1. Peter and Jerry. Act I: Homelife. Act II: The Zoo Story (review)
  2. Karen Bovard
  3. pp. 991-993
  4. DOI: 10.1353/tj.2004.0152
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  1. Editorial Comment
  2. Harry Justin Elam
  3. pp. vii-viii
  4. DOI: 10.1353/tj.2004.0160
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  1. Poor Theater: A Series of Simulacra (review)
  2. Stephen J. Bottoms
  3. pp. 693-695
  4. DOI: 10.1353/tj.2004.0151
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