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In this Issue

Table of Contents

  1. Keep Your EYES on the FRONT and WATCH YOUR BACK
  2. Rebecca Schneider, Jon McKenzie
  3. pp. 5-10
  4. restricted access
  1. Spalding Gray: 1941-2004
  2. Richard Schechner
  3. pp. 11-12
  4. restricted access
  1. Letters, Etc.
  2. Richard Schechner
  3. p. 13
  4. restricted access
  1. Metal Performance: Humanizing Robots, Returning to Nature, and Camping About
  2. Steve Dixon
  3. pp. 15-46
  4. restricted access
  1. A Brief History of Robots and Automata
  2. Steve Dixon
  3. pp. 16-25
  4. restricted access
  1. The Jeremiah Project: Interaction, Reaction, and Performance
  2. Susan Broadhurst
  3. pp. 47-57
  4. restricted access
  1. excerpt from Blue Bloodshot Flowers: a performance text
  2. Philip Stanier
  3. p. 49
  4. restricted access
  1. Ten Gems on a Thread II
  2. Catherine Filloux
  3. pp. 58-71
  4. restricted access
  1. Upside-Down Midas: Habib Tanvir at 80
  2. Sudhanva Deshpande
  3. pp. 71-80
  4. restricted access
  1. Role-Play Training at "Violent Disneyland": The FBI Academy's Performance Paradigms
  2. Emily Colborn-Roxworthy
  3. pp. 81-108
  4. restricted access
  1. Staging Disaster: Reporting Live (sort of) from Seattle
  2. Michelle Dent
  3. pp. 109-134
  4. restricted access
  1. Staging the Greensboro Sit-Ins
  2. Rebekah J. Kowal
  3. pp. 135-154
  4. restricted access
  1. Sacrifice to the Mountain: A Ritual Performace of the Qiang Minority People in China
  2. Shiao-Ling Yu
  3. pp. 155-166
  4. restricted access
  1. Anglo-Indian Identity, Knowledge, and Power: Western Ballroom Music in Lucknow
  2. Bradley Shope
  3. pp. 167-182
  4. restricted access
  1. Survey of 78 RPM Collections in Lucknow
  3. p. 169
  4. restricted access
  1. Can the Indian Tune Go Global?
  2. Peter Kvetko
  3. pp. 183-191
  4. restricted access
  1. How Theatre Educates: Convergences and Counterpoints with Artists, Scholars, and Advocates, and: Languages of Theatre Shaped by Women, and: Staging Desire: Queer Readings of American Theater History (review)
  2. Theresa Smalec
  3. pp. 192-195
  4. restricted access
  1. Shakespeare and the Force of Modern Performance (review)
  2. Martin Harries
  3. pp. 195-197
  4. restricted access
  1. Taking It to the Streets: Social Protest Theater of Luis Valdez and Amiri Baraka (review)
  2. Awam Amkpa
  3. pp. 197-200
  4. restricted access
  1. The Consul: Conversations with Gerard Berreby with the Help of Giulio Minghini and Chantal Osterreicher (review)
  2. Branislav Jakovljevic
  3. pp. 200-202
  4. restricted access
  1. TDR Volume 48 Index
  3. pp. 203-209
  4. restricted access