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In this Issue

Table of Contents

  1. Past and Present in Victor Hugo Rascon Banda's La Malinche and Marisol Martin del Campo's Amor y conquista
  2. Van Delden, Maarten, 1958-
  3. pp. 8-23
  4. DOI: https://doi.org/10.1353/scr.2004.0038
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  1. Picturing Mexico's Past: Photography and Historia Grafica
  2. John Mraz
  3. pp. 24-45
  4. DOI: https://doi.org/10.1353/scr.2004.0046
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  1. Hegel in Mexico: Memory and Alienation in the Posthumous Writings by Jose Revueltas
  2. Bruno Bosteels
  3. pp. 46-69
  4. DOI: https://doi.org/10.1353/scr.2004.0034
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  1. Ethics and Politics in Hector Aguilar Camin's Morir en el Golfo and La guerra de Galio
  2. Alberto Moreiras
  3. pp. 70-84
  4. DOI: https://doi.org/10.1353/scr.2004.0044
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  1. Making History: Subcomandante Marcos in the Mexican Chronicle
  2. Beth Ellen Jorgensen
  3. pp. 85-106
  4. DOI: https://doi.org/10.1353/scr.2004.0041
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  1. "Excuse the inconvenience, but this is a revolution": Zapatista Paradox and the Rhetoric of Tourism
  2. Desiree A. Martin
  3. pp. 107-128
  4. DOI: https://doi.org/10.1353/scr.2004.0043
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  1. Corridos and la pura verdad: Myths and Realities of the Mexican Ballad
  2. Jose Pablo Villalobos, Juan Carlos Ramírez-Pimienta
  3. pp. 129-149
  4. DOI: https://doi.org/10.1353/scr.2004.0050
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  1. Transnational Cinema and the Mexican State in Alfonso Cuaron's Y tu mama tambien
  2. Hester Baer, Ryan Fred Long
  3. pp. 150-168
  4. DOI: https://doi.org/10.1353/scr.2004.0031
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  1. Mimesis and Its Romantic Reflections (review)
  2. Ben P. Robertson
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/scr.2004.0048
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  1. Foreign Bodies: Gender, Language, and Culture in French Orientalism (review)
  2. Katharine Ann Jensen
  3. pp. 171-173
  4. DOI: https://doi.org/10.1353/scr.2004.0040
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  1. Ethical Joyce (review)
  2. Ian Crump
  3. pp. 173-175
  4. DOI: https://doi.org/10.1353/scr.2004.0037
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  1. Making Democracy in the French Revolution (review)
  2. Cynthia A. Bouton
  3. pp. 176-178
  4. DOI: https://doi.org/10.1353/scr.2004.0035
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  1. Film Studies: Women in Contemporary Cinema (review)
  2. Anne Morey
  3. pp. 178-180
  4. DOI: https://doi.org/10.1353/scr.2004.0045
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  1. Transposing Art into Texts in French Romantic Literature (review)
  2. Alexandra Wettlaufer
  3. pp. 180-182
  4. DOI: https://doi.org/10.1353/scr.2004.0051
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  1. The New Biography: Performing Femininity in Nineteenth-Century France (review)
  2. Willa Z. Silverman
  3. pp. 183-186
  4. DOI: https://doi.org/10.1353/scr.2004.0049
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  1. Wild Heart: A Life: Natalie Clifford Barney's Journey from Victorian America to the Literary Salons of Paris (review)
  2. Tama Lea Engelking
  3. pp. 186-188
  4. DOI: https://doi.org/10.1353/scr.2004.0039
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  1. The Lieutenant Nun: Transgenderism, Lesbian Desire, and Catalina de Erauso (review)
  2. Inmaculada Pertusa
  3. pp. 188-193
  4. DOI: https://doi.org/10.1353/scr.2004.0047
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  1. The Search for Modern Tragedy: Aesthetic Fascism in Italy and France (review)
  2. Cinzia Sartini Blum
  3. pp. 193-195
  4. DOI: https://doi.org/10.1353/scr.2004.0032
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  1. Introduction
  2. Ryan Fred Long
  3. pp. 1-7
  4. DOI: https://doi.org/10.1353/scr.2004.0042
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  1. Notes on Contributors
  2. pp. 196-199
  3. DOI: https://doi.org/10.1353/scr.2004.0036
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  1. Books Received
  2. pp. 200-201
  3. DOI: https://doi.org/10.1353/scr.2004.0033
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