1. Music Printing in Leipzig During the Thirty Years' War
  2. Stephen Rose
  3. pp. 323-349
  4. DOI: 10.1353/not.2004.0161
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  1. The Ricardo Vines Piano Music Collection at the University of Colorado at Boulder
  2. David Korevaar, Laurie J. Sampsel
  3. pp. 361-400
  4. DOI: 10.1353/not.2004.0143
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  1. The Cambridge Companion to Grand Opera (review)
  2. Michael Edward McClellan
  3. pp. 415-417
  4. DOI: 10.1353/not.2004.0150
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  1. The Societe des Concerts du Conservatoire, 1828-1967 (review)
  2. Katharine Ellis
  3. pp. 417-419
  4. DOI: 10.1353/not.2004.0133
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  1. Debussy's 'Iberia' (review)
  2. Brian J. Hart
  3. pp. 419-421
  4. DOI: 10.1353/not.2004.0137
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  1. For the End of Time: The Story of the Messiaen Quartet (review)
  2. Leslie Sprout
  3. pp. 423-425
  4. DOI: 10.1353/not.2004.0166
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  1. Henri Dutilleux: Music, Mystery and Memory. Conversations with Claude Glayman (review)
  2. Caroline Rae
  3. pp. 425-428
  4. DOI: 10.1353/not.2004.0159
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  1. The Organ Music of J. S. Bach (review)
  2. Lawrence Archbold
  3. pp. 430-432
  4. DOI: 10.1353/not.2004.0126
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  1. Michael William Balfe: His Life and His English Operas (review)
  2. Jennifer Oates
  3. pp. 433-435
  4. DOI: 10.1353/not.2004.0154
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  1. Richard Strauss: Autographen, Portrats, Buhnenbilder. Ausstellung zum 50. Todestag (review)
  2. Stephen McClatchie
  3. pp. 435-437
  4. DOI: 10.1353/not.2004.0149
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  1. Drama and the World of Richard Wagner (review)
  2. Katherine Rae Syer
  3. pp. 437-439
  4. DOI: 10.1353/not.2004.0168
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  1. Brahms: The Four Symphonies (review)
  2. David Pacun
  3. pp. 439-441
  4. DOI: 10.1353/not.2004.0156
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  1. Andrzej Panufnik's Music and Its Reception (review)
  2. Maja Trochimczyk
  3. pp. 441-443
  4. DOI: 10.1353/not.2004.0169
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  1. Composers of Classical Music of Jewish Descent (review)
  2. Stephen Luttmann
  3. pp. 444-447
  4. DOI: 10.1353/not.2004.0147
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  1. Virtuosity and the Musical Work: The Transcendental Studies of Liszt (review)
  2. Jonathan Bellman
  3. pp. 447-449
  4. DOI: 10.1353/not.2004.0127
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  1. With Voice and Pen: Coming to Know Medieval Song and How It Was Made (review)
  2. John Dickinson Haines
  3. pp. 449-451
  4. DOI: 10.1353/not.2004.0136
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  1. History, Imagination, and the Performance of Music (review)
  2. David Dolata
  3. pp. 451-454
  4. DOI: 10.1353/not.2004.0132
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  1. Locating East Asia in Western Art Music (review)
  2. Ada Nga-Ting Lai
  3. pp. 454-456
  4. DOI: 10.1353/not.2004.0144
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  1. The Cambridge Companion to the String Quartet (review)
  2. Nancy November
  3. pp. 456-458
  4. DOI: 10.1353/not.2004.0153
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  1. Bessie (review)
  2. Larry F. Ward
  3. pp. 458-460
  4. DOI: 10.1353/not.2004.0171
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  1. Louis Armstrong: The Offstage Story of Satchmo (review)
  2. D. J. Hoek
  3. pp. 460-462
  4. DOI: 10.1353/not.2004.0140
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  1. Hutterite Songs (review)
  2. Doreen Helen Klassen
  3. pp. 462-464
  4. DOI: 10.1353/not.2004.0141
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  1. Magic Circles: The Beatles in Dream and History (review)
  2. Mark Mazullo
  3. pp. 465-467
  4. DOI: 10.1353/not.2004.0148
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  1. False Prophet: Fieldnotes from the Punk Underground (review)
  2. Steve Waksman
  3. pp. 467-469
  4. DOI: 10.1353/not.2004.0170
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  1. Music Makers: Portraits and Songs from the Roots of America (review)
  2. David Evans
  3. pp. 469-471
  4. DOI: 10.1353/not.2004.0134
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  1. Celtic Modern: Music at the Global Fringe (review)
  2. Ann Morrison Spinney
  3. pp. 473-476
  4. DOI: 10.1353/not.2004.0165
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  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 477-511
  4. DOI: 10.1353/not.2004.0173
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  1. Naxos Music Library (review)
  2. Ned Quist, Darwin Floyd Scott, Alec McLane
  3. pp. 512-516
  4. DOI: 10.1353/not.2004.0158
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  1. MusicPad Pro and MusicPad Pro Plus (review)
  2. Charles Menoche
  3. pp. 516-519
  4. DOI: 10.1353/not.2004.0151
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  1. Sound Recording Reviews
  2. Rick Anderson
  3. pp. 520-525
  4. DOI: 10.1353/not.2004.0125
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  1. Rodrigue et Chimene (review)
  2. Mark DeVoto
  3. pp. 537-540
  4. DOI: 10.1353/not.2004.0131
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  1. Esther, the Beautiful Queen, and: The Oratorio of Daniel, Opus 42 (review)
  2. Robert M. Copeland
  3. pp. 540-542
  4. DOI: 10.1353/not.2004.0130
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  1. Sontagliche Evangelien (review)
  2. Andrew H. Weaver
  3. pp. 548-551
  4. DOI: 10.1353/not.2004.0172
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  1. Italian Madrigals Englished (1590) (review)
  2. Jessie Ann Owens
  3. pp. 551-553
  4. DOI: 10.1353/not.2004.0155
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  1. Musica spirituale, libro primo (Venice, 1563) (review)
  2. Sarah M. Stoycos
  3. pp. 553-556
  4. DOI: 10.1353/not.2004.0167
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  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 579-581
  4. DOI: 10.1353/not.2004.0138
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  1. Communications
  2. p. 583
  3. DOI: 10.1353/not.2004.0129
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  1. Documenting the International Avant Garde: Earle Brown and the Time-Mainstream Contemporary Sound Series
  2. D. J. Hoek
  3. pp. 350-360
  4. DOI: 10.1353/not.2004.0139
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 1998-2003
  2. Bradley H. Short
  3. pp. 401-408
  4. DOI: 10.1353/not.2004.0163
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  1. Notes for Notes
  2. pp. 409-414
  3. DOI: 10.1353/not.2004.0152
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  1. Song of the Outcasts: An Introduction to Flamenco (review)
  2. Antoni Piza
  3. pp. 471-473
  4. DOI: 10.1353/not.2004.0157
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  1. Music Received
  2. David Knapp
  3. pp. 566-578
  4. DOI: 10.1353/not.2004.0142
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