In this Issue

Table of Contents

Defensive Transcriptions: Radio Networks, Sound-on-Disc Recording, and the Meaning of Live Broadcasting

Alexander Russo
pp. 4-17
DOI: https://doi.org/10.1353/vlt.2004.0018
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Eisenstein in America: The Que Viva Mexico! Debates and the Emergent Popular Front in U.S. Film Theory and Criticism

Chris Robe
pp. 18-31
DOI: https://doi.org/10.1353/vlt.2004.0017
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Claiming a Style: The "Living Cinema" of Pierre Perrault's Pour la suite du monde

Charlie Michael
pp. 32-47
DOI: https://doi.org/10.1353/vlt.2004.0016
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Masters of Ceremony: Media Demonstration as Performance in Three Instances of Expanded Cinema

Roy Grundmann
pp. 48-64
DOI: https://doi.org/10.1353/vlt.2004.0014
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An Interview with Anthony McCall

Jonathan Walley, Anthony McCall
pp. 65-75
DOI: https://doi.org/10.1353/vlt.2004.0021
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Film Structure and the Emotion System (review)

Bradley Schauer
pp. 76-79
DOI: https://doi.org/10.1353/vlt.2004.0019
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Shooting People: Adventures in Reality TV (review)

Jacquelyn Vinson
pp. 80-82
DOI: https://doi.org/10.1353/vlt.2004.0020
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Contributors

p. i
DOI: https://doi.org/10.1353/vlt.2004.0013
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Introduction

pp. 1-3
DOI: https://doi.org/10.1353/vlt.2004.0015
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