1. Defensive Transcriptions: Radio Networks, Sound-on-Disc Recording, and the Meaning of Live Broadcasting
  2. Alexander Russo
  3. pp. 4-17
  4. DOI: 10.1353/vlt.2004.0018
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  1. Eisenstein in America: The Que Viva Mexico! Debates and the Emergent Popular Front in U.S. Film Theory and Criticism
  2. Chris Robe
  3. pp. 18-31
  4. DOI: 10.1353/vlt.2004.0017
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  1. Claiming a Style: The "Living Cinema" of Pierre Perrault's Pour la suite du monde
  2. Charlie Michael
  3. pp. 32-47
  4. DOI: 10.1353/vlt.2004.0016
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  1. Masters of Ceremony: Media Demonstration as Performance in Three Instances of Expanded Cinema
  2. Roy Grundmann
  3. pp. 48-64
  4. DOI: 10.1353/vlt.2004.0014
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  1. An Interview with Anthony McCall
  2. Jonathan Walley, Anthony McCall
  3. pp. 65-75
  4. DOI: 10.1353/vlt.2004.0021
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  1. Film Structure and the Emotion System (review)
  2. Bradley Schauer
  3. pp. 76-79
  4. DOI: 10.1353/vlt.2004.0019
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  1. Shooting People: Adventures in Reality TV (review)
  2. Jacquelyn Vinson
  3. pp. 80-82
  4. DOI: 10.1353/vlt.2004.0020
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  1. Contributors
  2. p. i
  3. DOI: 10.1353/vlt.2004.0013
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  1. Introduction
  2. pp. 1-3
  3. DOI: 10.1353/vlt.2004.0015
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