In this Issue
Cultural Critique provides a forum for creative and provocative scholarship in the theoretical humanities and humanistic social sciences. Transnational in scope and transdisciplinary in orientation, the journal strives to spark and galvanize intellectual debates as well as to attract and foster critical investigations regarding any aspect of culture as it expresses itself in words, images, and sounds, across both time and space. The journal is especially keen to support scholarship that engages the ways in which cultural production, cultural practices, and cultural forms constitute and manifest the nexus between the aesthetic, the psychic, the economic, the political, and the ethical intended in their widest senses. While informed by the diverse traditions of historical materialism as well as by the numerous critiques of such traditions from various parts of the globe, the journal welcomes contributions based on a variety of theoretical-methodological paradigms.
published by
University of Minnesota Pressviewing issue
58, Fall 2004Table of Contents
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View Internationalism and Cultural Experience: Soviet Films and Popular Chinese Understandings of the Future in the 1950s
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Internationalism and Cultural Experience: Soviet Films and Popular Chinese Understandings of the Future in the 1950s
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View The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law (review)
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The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law (review)
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| ISSN | 1460-2458 |
|---|---|
| Print ISSN | 0882-4371 |
| Launched on MUSE | 2004-10-15 |
| Open Access | No |
Copyright
Copyright © 2004 the Regents of the University of Minnesota.
