1. Editor's Note
  2. Bernadette Fort
  3. pp. v-vi
  4. DOI: 10.1353/ecs.2004.0055
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  1. Raising Hair
  2. Angela Rosenthal
  3. pp. 1-16
  4. DOI: 10.1353/ecs.2004.0064
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I. Shear Beauty: Art and Aesthetics

  1. Diderot, Hogarth, and the Aesthetics of Depilation
  2. Johannes Endres, Joel David Golb
  3. pp. 17-38
  4. DOI: 10.1353/ecs.2004.0056
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  1. Chardin's Fur: Painting, Materialism, and the Question of Animal Soul
  2. Sarah R. Cohen
  3. pp. 39-61
  4. DOI: 10.1353/ecs.2004.0054
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  1. "No cap or wig but a thin hair upon it": Hair and the Male Portrait Bust in England around 1750
  2. Malcolm Baker
  3. pp. 63-77
  4. DOI: 10.1353/ecs.2004.0052
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II. The Styling of Everyday Life

  1. Big Hair
  2. Margaret K. Powell, Joseph R. Roach
  3. pp. 79-99
  4. DOI: 10.1353/ecs.2004.0062
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  1. Hair, Authenticity, and the Self-Made Macaroni
  2. Amelia F. Rauser
  3. pp. 101-117
  4. DOI: 10.1353/ecs.2004.0063
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  1. Illicit Wigmaking in Eighteenth-Century Paris
  2. Mary K. Gayne
  3. pp. 119-137
  4. DOI: 10.1353/ecs.2004.0057
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  1. Sentimental Cuts: Eighteenth-Century Mourning Jewelry with Hair
  2. Christiane Holm
  3. pp. 139-143
  4. DOI: 10.1353/ecs.2004.0059
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III. The Fame of the Lock

  1. Staging Gender and "Hairy Signs": Representing Dorothy Jordan's Curls
  2. Gillian Perry
  3. pp. 145-163
  4. DOI: 10.1353/ecs.2004.0061
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  1. The Coiffure of Jean-Baptiste Greuze
  2. Alden Cavanaugh
  3. pp. 165-181
  4. DOI: 10.1353/ecs.2004.0053
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  1. The Queen's Hair: Marie-Antoinette, Politics, and DNA
  2. Desmond Hosford
  3. pp. 183-200
  4. DOI: 10.1353/ecs.2004.0060
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  1. The Blonding of Charlotte Corday
  2. Nina Rattner Gelbart
  3. pp. 201-221
  4. DOI: 10.1353/ecs.2004.0058
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