1. The Passage
  2. Murray Farish
  3. pp. 11-26
  4. DOI: 10.1353/mis.2004.0045
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  1. The Telemarketer Basically Enjoys Talking with Goldbarth, Though it Ends Too Soon for Her Preference
  2. Gabriel Welsch
  3. pp. 27-28
  4. DOI: 10.1353/mis.2004.0064
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  1. The Telemarketer Means to Call Baker About Erectile Dysfunction but, in a Misdial, Winds Up With Simic
  2. Gabriel Welsch
  3. pp. 31-33
  4. DOI: 10.1353/mis.2004.0066
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  1. The Telemarketer Calls Basho About a Cure for the Winter Blues
  2. Gabriel Welsch
  3. pp. 34-35
  4. DOI: 10.1353/mis.2004.0067
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  1. After Calling Too Many Poets, the Telemarketer Gives Up
  2. Gabriel Welsch
  3. p. 36
  4. DOI: 10.1353/mis.2004.0068
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  1. An Interview with Frederick Barthelme
  2. Frederick Barthelme, Nathan Oates, Amy Day Wilkinson
  3. pp. 39-53
  4. DOI: 10.1353/mis.2004.0059
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  1. The O'Reilly Factor at 5 P.M., 8 P.M., 1 A.M.
  2. Peter Nathaniel Malae
  3. pp. 54-77
  4. DOI: 10.1353/mis.2004.0058
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  1. Ice Fishing
  2. Iver Arnegard
  3. pp. 78-85
  4. DOI: 10.1353/mis.2004.0041
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  1. Rotation
  2. Jessica Garratt
  3. pp. 86-87
  4. DOI: 10.1353/mis.2004.0049
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  1. Three Early Stories by William Gaddis
  2. Crystal Alberts
  3. pp. 91-95
  4. DOI: 10.1353/mis.2004.0040
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  1. Jake's Dog, and: The Rehearsal, and: [A Father is Arrested]
  2. William Gaddis
  3. pp. 96-116
  4. DOI: 10.1353/mis.2004.0048
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  1. The Telemarketer's Husband, Unemployed, Kills Time in a Cafe, Waiting to Pick Her Up
  2. Gabriel Welsch
  3. p. 037
  4. DOI: 10.1353/mis.2004.0069
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  1. Neighborhood (1)
  2. Jessica Garratt
  3. p. 088
  4. DOI: 10.1353/mis.2004.0050
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  1. If the Weather Holds
  2. Jessica Garratt
  3. p. 089
  4. DOI: 10.1353/mis.2004.0051
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  1. First Night of Writing Class
  2. Jessica Garratt
  3. p. 090
  4. DOI: 10.1353/mis.2004.0052
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  1. From the Unwritten Letters of Jospeh Freeman
  2. Camille T. Dungy
  3. pp. 117-121
  4. DOI: 10.1353/mis.2004.0043
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  1. A Course in Applied Lynching
  2. Douglas Hunt
  3. pp. 122-170
  4. DOI: 10.1353/mis.2004.0057
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  1. The Fat Man Who Stands in the Sea
  2. Kerry Hardie
  3. p. 171
  4. DOI: 10.1353/mis.2004.0053
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  1. After Rage
  2. Kerry Hardie
  3. p. 172
  4. DOI: 10.1353/mis.2004.0054
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  1. Countrymen
  2. Kerry Hardie
  3. pp. 173-174
  4. DOI: 10.1353/mis.2004.0055
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  1. Protecting the Buds
  2. Kerry Hardie
  3. p. 175
  4. DOI: 10.1353/mis.2004.0056
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  1. Epiphora
  2. Tara Cottrell
  3. pp. 176-190
  4. DOI: 10.1353/mis.2004.0042
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  1. Sea Dogs (review)
  2. Steve Yarbrough
  3. p. 191
  4. DOI: 10.1353/mis.2004.0072
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  1. The Lucky Ones (review)
  2. Amy Wilkinson
  3. pp. 191-193
  4. DOI: 10.1353/mis.2004.0070
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  1. The Curious Incident of the Dog in the Night-Time (review)
  2. Patricia Schultheis
  3. pp. 193-194
  4. DOI: 10.1353/mis.2004.0061
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  1. The Immortal Count: The Life and Films of Bela Lugosi (review)
  2. Colin Fleming
  3. pp. 194-195
  4. DOI: 10.1353/mis.2004.0046
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  1. Stan and Ollie: The Roots of Comedy: The Double Life of Laurel and Hardy (review)
  2. Colin Fleming
  3. pp. 195-196
  4. DOI: 10.1353/mis.2004.0047
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  1. The Greyhound God (review)
  2. Leslie Wootten
  3. pp. 196-197
  4. DOI: 10.1353/mis.2004.0071
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  1. Truth and Beauty (review)
  2. Kris Somerville
  3. pp. 197-199
  4. DOI: 10.1353/mis.2004.0063
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  1. The Cuckoo (review)
  2. Rebecca Dunham
  3. pp. 199-200
  4. DOI: 10.1353/mis.2004.0044
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  1. Eats, Shoots & Leaves (review)
  2. Scott Sciortino
  3. pp. 200-201
  4. DOI: 10.1353/mis.2004.0062
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  1. Prisoners of War (review)
  2. Michael Piafsky
  3. pp. 201-202
  4. DOI: 10.1353/mis.2004.0060
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  1. Innovation in Literature
  2. Speer Morgan
  3. pp. v-ix
  4. DOI: 10.1353/mis.2004.0073
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