1. Scenes of Cognition: Performance and Conquest
  2. Diana Taylor
  3. pp. 353-372
  4. DOI: 10.1353/tj.2004.0129
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  1. Queering Homoerotic Desire, Silence, and Violence in Zeno Wilde's Blue Jeans: A Performance-Sensitive Reading for the Twenty-first Century
  2. Claudio Medeiros
  3. pp. 373-394
  4. DOI: 10.1353/tj.2004.0113
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  1. Resisting Amnesia: Yuyachkani, Performance, and the Postwar Reconstruction of Peru
  2. Francine Mary A'Ness
  3. pp. 395-414
  4. DOI: 10.1353/tj.2004.0083
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  1. The Abstract Allegory of Griselda Gambaro's Stripped (El despojamiento)
  2. Ana Elena Puga
  3. pp. 415-428
  4. DOI: 10.1353/tj.2004.0122
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  1. Performing Culture(s): Extras and Extra-Texts in Sabina Berman's eXtras
  2. Jacqueline Eyring Bixler
  3. pp. 429-444
  4. DOI: 10.1353/tj.2004.0085
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  1. A Forum on the State of Latin American Theatre and Performance Studies in the United States Today
  2. Jean Graham-Jones
  3. p. 445
  4. DOI: 10.1353/tj.2004.0099
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  1. "You Mean, There is Theatre in Latin America?"
  2. Adam Versényi
  3. pp. 445-447
  4. DOI: 10.1353/tj.2004.0134
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  1. On the Visibility of Latin American Theatre
  2. Kirsten F. Nigro
  3. pp. 447-449
  4. DOI: 10.1353/tj.2004.0117
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  1. Notes from the Ivory Labyrinth of Solitude
  2. Tamara L. Underiner
  3. pp. 449-452
  4. DOI: 10.1353/tj.2004.0131
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  1. Partial Knowledge: Challenges for Latin American Theatre Scholarship in the US
  2. Amalia Gladhart
  3. pp. 452-454
  4. DOI: 10.1353/tj.2004.0097
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  1. Theatre as a Wild Weed
  2. Teresa Marrero
  3. pp. 454-456
  4. DOI: 10.1353/tj.2004.0112
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  1. Keywords in Latin American Performance
  2. Jill Lane
  3. pp. 456-459
  4. DOI: 10.1353/tj.2004.0108
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  1. Latin American Performance Studies: Random Acts or Critical Moves?
  2. Roselyn Costantino
  3. pp. 459-461
  4. DOI: 10.1353/tj.2004.0089
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  1. Yes, and. . .
  2. Stuart A. Day
  3. pp. 462-464
  4. DOI: 10.1353/tj.2004.0092
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  1. Rising to Demands: Argentine and Brazilian Theatre
  2. David William Foster
  3. pp. 464-466
  4. DOI: 10.1353/tj.2004.0093
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  1. Latin America: The Poor Relative in US Drama Schools
  2. Joanne Pottlitzer
  3. pp. 466-468
  4. DOI: 10.1353/tj.2004.0120
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  1. Theatre in Spanish? Where? Curricular Tensions Between Language and Theatre Departments
  2. Gustavo Geirola
  3. pp. 468-472
  4. DOI: 10.1353/tj.2004.0096
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  1. Teaching and Producing Latina/o and Latin American Plays in US Colleges and Universities
  2. Jorge A. Huerta
  3. pp. 472-474
  4. DOI: 10.1353/tj.2004.0102
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  1. Teatro Bravo and Remember the Mummers
  2. Guillermo A. Reyes
  3. pp. 474-477
  4. DOI: 10.1353/tj.2004.0124
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  1. El Automovil Gris (review)
  2. Johannes H. Birringer
  3. pp. 479-480
  4. DOI: 10.1353/tj.2004.0084
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  1. Anna in the Tropics (review)
  2. Jason Ramirez
  3. pp. 480-482
  4. DOI: 10.1353/tj.2004.0123
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  1. Astrid Hadad y los Tarzanes (review)
  2. Carla Melo
  3. pp. 483-484
  4. DOI: 10.1353/tj.2004.0114
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  1. Obon: Tales of Rain & Moonlight (review)
  2. Yuko Kurahashi
  3. pp. 484-487
  4. DOI: 10.1353/tj.2004.0107
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  1. The Story of Wu Zixu, and: Sweet and Sour Hong Kong (review)
  2. Cecilia J. Pang
  3. pp. 487-489
  4. DOI: 10.1353/tj.2004.0118
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  1. L'Anomalo Bicefalo (review)
  2. Sydney Cheek O'Donnell
  3. pp. 490-491
  4. DOI: 10.1353/tj.2004.0119
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  1. Massie/Kahahawai (review)
  2. Leigh Kennicott
  3. pp. 491-493
  4. DOI: 10.1353/tj.2004.0105
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  1. The I. L. Caragiale National Theatre Festival (review)
  2. Claudia W. Harris
  3. pp. 493-496
  4. DOI: 10.1353/tj.2004.0101
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  1. The Merchant of Venice (review)
  2. Karin Magaldi
  3. pp. 496-498
  4. DOI: 10.1353/tj.2004.0111
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  1. Mabou Mines Dollhouse (review)
  2. Elinor Fuchs
  3. pp. 498-500
  4. DOI: 10.1353/tj.2004.0094
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  1. A Doll's House (review)
  2. J. Chris Westgate
  3. pp. 500-502
  4. DOI: 10.1353/tj.2004.0135
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  1. King Lear (review)
  2. Lila Wolff-Wilkinson
  3. pp. 502-504
  4. DOI: 10.1353/tj.2004.0139
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  1. Far Away (review)
  2. Yael Prizant
  3. pp. 504-505
  4. DOI: 10.1353/tj.2004.0121
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  1. A Midsummer Night's Dream (review)
  2. Bonnie Jean Eckard
  3. pp. 505-507
  4. DOI: 10.1353/tj.2004.0082
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  1. Murder by Poe (review)
  2. E. Teresa Choate
  3. pp. 507-508
  4. DOI: 10.1353/tj.2004.0088
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  1. The Birthday Party (review)
  2. Leah Lowe
  3. pp. 508-510
  4. DOI: 10.1353/tj.2004.0110
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  1. The Permanent Way (review)
  2. Amelia Howe Kritzer
  3. pp. 510-511
  4. DOI: 10.1353/tj.2004.0106
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  1. Permanent Collection (review)
  2. Norman Roessler
  3. pp. 511-513
  4. DOI: 10.1353/tj.2004.0126
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  1. "I'm Gonna Kill the President!": A Federal Offense (review)
  2. Sunny Stalter
  3. pp. 513-514
  4. DOI: 10.1353/tj.2004.0128
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  1. Us (review)
  2. Dean Wilcox
  3. pp. 515-516
  4. DOI: 10.1353/tj.2004.0137
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  1. Rabinal Achi: A Mayan Drama of War and Sacrifice (review)
  2. Tamara L. Underiner
  3. pp. 517-518
  4. DOI: 10.1353/tj.2004.0132
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  1. The State of Latino Theater in the United States: Hybridity, Transculturation, and Identity (review)
  2. Leah Garland
  3. pp. 518-520
  4. DOI: 10.1353/tj.2004.0095
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  1. The Archive and the Repertoire: Performing Cultural Memory in the Americas (review)
  2. Margo Milleret
  3. pp. 520-521
  4. DOI: 10.1353/tj.2004.0115
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  1. Angora Matta: Fatal Acts of North-South Translation (review)
  2. Fernando De Sousa Rocha
  3. pp. 521-522
  4. DOI: 10.1353/tj.2004.0125
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  1. The Theatre of Sabina Berman: The Agony of Ecstasy and Other Plays (review)
  2. Sandra Messinger Cypess
  3. pp. 522-523
  4. DOI: 10.1353/tj.2004.0091
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  1. Watsonville/Circles in the Dirt (review)
  2. Lisa B. Thompson
  3. pp. 523-525
  4. DOI: 10.1353/tj.2004.0130
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  1. Flash and Crash Days: Brazilian Theatre in the Post-Dictatorship (review)
  2. Claudia Tatinge Nascimento
  3. pp. 525-526
  4. DOI: 10.1353/tj.2004.0116
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  1. The Drama of Gender: Feminist Theater by Women of the Americas (review)
  2. Margarita Vargas
  3. pp. 526-527
  4. DOI: 10.1353/tj.2004.0133
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  1. White People Do Not Know How to Behave at Entertainments Designed for Ladies & Gentlemen of Colour (review)
  2. Harvey Young
  3. pp. 527-528
  4. DOI: 10.1353/tj.2004.0141
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  1. Joe Orton: A Casebook (review)
  2. Tom Smith
  3. pp. 529-530
  4. DOI: 10.1353/tj.2004.0127
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  1. The Undiscovered Country: The Later Plays of Tennessee Williams, and: Magical Muse: Millennial Essays on Tennessee Williams (review)
  2. J. K. Curry
  3. pp. 530-531
  4. DOI: 10.1353/tj.2004.0090
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  1. The Living Art of Greek Tragedy (review)
  2. Eric Wiley
  3. pp. 532-533
  4. DOI: 10.1353/tj.2004.0138
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  1. Rescripting Shakespeare: The Text, the Director, and Modern Productions (review)
  2. Leanore Lieblein
  3. pp. 533-534
  4. DOI: 10.1353/tj.2004.0109
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  1. Modern Drama: Defining the Field (review)
  2. Jodi Kanter
  3. pp. 534-535
  4. DOI: 10.1353/tj.2004.0104
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  1. Teaching Performance Studies, and: Performance Studies (review)
  2. Jonathan L. Chambers
  3. pp. 537-539
  4. DOI: 10.1353/tj.2004.0087
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  1. Performance and Literature in the Commedia Dell'Arte (review)
  2. Erith Jaffe-Berg
  3. pp. 539-540
  4. DOI: 10.1353/tj.2004.0103
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  1. Frozen Moments: Writings on Kabuki, 1966-2001 (review)
  2. Kevin J. Wetmore
  3. pp. 540-541
  4. DOI: 10.1353/tj.2004.0136
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  1. The Theatre Journal Auto / Archive: George Woodyard
  2. George William Woodyard
  3. pp. 547-551
  4. DOI: 10.1353/tj.2004.0140
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  1. Editorial Comment: On Attributions, Appropriations, Misinterpretations, and Latin American Theatre Studies
  2. Jean Graham-Jones
  3. pp. viii-xii
  4. DOI: 10.1353/tj.2004.0098
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  1. Performance Studies: An Introduction (review)
  2. James Martin Harding
  3. pp. 535-537
  4. DOI: 10.1353/tj.2004.0100
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  1. Books Received
  3. pp. 542-546
  4. DOI: 10.1353/tj.2004.0086
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