1. "Now Wo, Now Gladnesse": Ovidianism in the Fall of Princes
  2. Maura Nolan
  3. pp. 531-558
  4. DOI: 10.1353/elh.2004.0040
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  1. Renaissance Intertheater and the Staging of Nobody
  2. Anston Bosman
  3. pp. 559-585
  4. DOI: 10.1353/elh.2004.0034
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  1. From the Desk of Anne Clifford
  2. Aaron B. Kunin
  3. pp. 587-608
  4. DOI: 10.1353/elh.2004.0039
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  1. Anonymous Milton, or, A Maske Masked
  2. Ann Baynes Coiro
  3. pp. 609-629
  4. DOI: 10.1353/elh.2004.0036
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  1. A History of "Ludicrous"
  2. Matthew Kaiser
  3. pp. 631-660
  4. DOI: 10.1353/elh.2004.0038
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  1. Reading Virgil's Georgics as a Scientific Text: The Eighteenth-Century Debate between Jethro Tull and Stephen Switzer
  2. Frans De Bruyn
  3. pp. 661-689
  4. DOI: 10.1353/elh.2004.0035
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  1. Minstrelsy Goes to Market: Prize Poems, Minstrel Contests, and Romantic Poetry
  2. Erik Simpson
  3. pp. 691-718
  4. DOI: 10.1353/elh.2004.0043
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  1. Articulating Social Agency in Our Mutual Friend : Problems with Performances, Practices, and Political Efficacy
  2. Molly Anne Rothenberg
  3. pp. 719-749
  4. DOI: 10.1353/elh.2004.0041
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  1. Joseph Conrad's "Wild Story of a Journalist"
  2. Matthew Rubery
  3. pp. 751-774
  4. DOI: 10.1353/elh.2004.0042
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  1. Howellsian Chic: The Local Color of Cosmopolitanism
  2. Brad Evans
  3. pp. 775-812
  4. DOI: 10.1353/elh.2004.0037
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  1. Local Modernity, Global Modernism: Bloomsbury and the Places of the Literary
  2. Sara Blair
  3. pp. 813-838
  4. DOI: 10.1353/elh.2004.0033
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