1. Modernity and My Mum: A Literary Exploration into the (Extra)Ordinary Sacrifices and Everyday Resistance of a Vietnamese Woman
  2. Kim Huynh
  3. pp. 1-25
  4. DOI: 10.1353/fro.2004.0051
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  1. Blue Memory: Paintings by Tran Trong Vu: An Exhibit Co-Curated by Heather Sealy Lineberry and Nora Taylor, Arizona State University Art Museum, February 7-May 1, 2004
  2. Heather Sealy Lineberry, Nora A. Taylor
  3. pp. 26-30
  4. DOI: 10.1353/fro.2004.0053
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  1. When the Personal Meets the Global at Home: Filipina Domestics and Their Female Employers in Taiwan
  2. Shu-Ju Ada Cheng
  3. pp. 31-52
  4. DOI: 10.1353/fro.2004.0047
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  1. Fighting Balkanization (In Bed)
  2. Laura M. Robinson
  3. pp. 53-61
  4. DOI: 10.1353/fro.2004.0055
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  1. As If I Were Married to Night, and: House
  2. Donna J. Gelagotis Lee
  3. pp. 62-64
  4. DOI: 10.1353/fro.2004.0052
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  1. Latitude in Mass-Produced Culture's Capital: New Women and Other Players in Hollywood, 1920-1941
  2. Brett Abrams
  3. pp. 65-95
  4. DOI: 10.1353/fro.2004.0045
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  1. Sex Appeal and Cultural Liberty: A Feminist Inquiry into MTV India
  2. Jocelyn Cullity, Prakash Younger
  3. pp. 96-122
  4. DOI: 10.1353/fro.2004.0049
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  1. Obvious and Ordinary: Desire between Girls in Jamaica Kincaid's Annie John
  2. Keja Valens
  3. pp. 123-149
  4. DOI: 10.1353/fro.2004.0056
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  1. Ecotone Duet
  2. Ruth Porritt
  3. p. 150
  4. DOI: 10.1353/fro.2004.0054
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  1. "Be Shure to Fix the Fence": The Arizona Cowbelles' Public Persona, 1950-1960
  2. Michelle K. Berry
  3. pp. 151-175
  4. DOI: 10.1353/fro.2004.0046
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  1. Introduction
  2. Susan E. Gray, Gayle Ann Gullett
  3. pp. vii-ix
  4. DOI: 10.1353/fro.2004.0050
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  1. Contributors
  3. pp. 176-178
  4. DOI: 10.1353/fro.2004.0048
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