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Table of Contents

  1. Amnesty
  2. Octavia E. Butler
  3. pp. 597-615
  4. DOI: https://doi.org/10.1353/cal.2004.0102
  5. restricted access
  1. A Stiffer Breeze
  2. Percival L. Everett
  3. pp. 616-620
  4. DOI: https://doi.org/10.1353/cal.2004.0111
  5. restricted access
  1. "Vodou. .. The Soul of the People": an excerpt from Jacques Stephen Alexis's The Musician Trees
  2. Jacques Stéphen Alexis, Carrol F. Coates
  3. pp. 621-628
  4. DOI: https://doi.org/10.1353/cal.2004.0101
  5. restricted access
  1. The Identity Repairman: from A Conversation with Thomas Sayers Ellis, Editor of Quotes Community: Notes for Black Poets
  2. Charles H. Rowell, Thomas Sayers Ellis
  3. pp. 629-630
  4. DOI: https://doi.org/10.1353/cal.2004.0133
  5. restricted access
  1. An Excerpt from Quotes Community: Notes for Black Poets
  2. Thomas Sayers Ellis
  3. pp. 631-645
  4. DOI: https://doi.org/10.1353/cal.2004.0110
  5. restricted access
  1. The Cure
  2. Carl Phillips
  3. pp. 646-647
  4. DOI: https://doi.org/10.1353/cal.2004.0131
  5. restricted access
  1. The Way Back
  2. Carl Phillips
  3. pp. 647-648
  4. DOI: https://doi.org/10.1353/cal.2004.0132
  5. restricted access
  1. after oz
  2. Lucille Clifton
  3. p. 649
  4. DOI: https://doi.org/10.1353/cal.2004.0103
  5. restricted access
  1. Rope
  2. A. Van Jordan
  3. p. 650
  4. DOI: https://doi.org/10.1353/cal.2004.0121
  5. restricted access
  1. Red Ball Express
  2. A. Van Jordan
  3. p. 651
  4. DOI: https://doi.org/10.1353/cal.2004.0122
  5. restricted access
  1. "Mercy, Mercy, Mercy"
  2. A. Van Jordan
  3. p. 652
  4. DOI: https://doi.org/10.1353/cal.2004.0123
  5. restricted access
  1. afterglow
  2. A. Van Jordan
  3. p. 653
  4. DOI: https://doi.org/10.1353/cal.2004.0124
  5. restricted access
  1. The Pronoun-Vowel Reparation Song
  2. Thomas Sayers Ellis
  3. pp. 654-656
  4. DOI: https://doi.org/10.1353/cal.2004.0109
  5. restricted access
  1. Apologies to My Hair: A Black Woman's Sonnet
  2. Allison Joseph
  3. p. 657
  4. DOI: https://doi.org/10.1353/cal.2004.0125
  5. restricted access
  1. The Torturer Explains
  2. Michael Collins
  3. p. 658
  4. DOI: https://doi.org/10.1353/cal.2004.0105
  5. restricted access
  1. Bryan, Texas Procession
  2. Michael Collins
  3. pp. 659-661
  4. DOI: https://doi.org/10.1353/cal.2004.0106
  5. restricted access
  1. Michael Collins
  2. Michael Collins
  3. pp. 662-663
  4. DOI: https://doi.org/10.1353/cal.2004.0107
  5. restricted access
  1. Premonition of June
  2. Myronn Hardy
  3. p. 664
  4. DOI: https://doi.org/10.1353/cal.2004.0114
  5. restricted access
  1. Listening to See
  2. Myronn Hardy
  3. p. 665
  4. DOI: https://doi.org/10.1353/cal.2004.0115
  5. restricted access
  1. Salt
  2. Myronn Hardy
  3. p. 666
  4. DOI: https://doi.org/10.1353/cal.2004.0116
  5. restricted access
  1. Weather Report
  2. Earl M. Coleman
  3. p. 667
  4. DOI: https://doi.org/10.1353/cal.2004.0104
  5. restricted access
  1. The Night Tito Trinidad KO'ed Hacine Cherifi
  2. Kevin A. Gonzalez
  3. p. 668
  4. DOI: https://doi.org/10.1353/cal.2004.0113
  5. restricted access
  1. Saint Dolores
  2. Michael S. Harper
  3. p. 669
  4. DOI: https://doi.org/10.1353/cal.2004.0117
  5. restricted access
  1. What You Deserve in This World
  2. Michael S. Harper
  3. p. 670
  4. DOI: https://doi.org/10.1353/cal.2004.0118
  5. restricted access
  1. Whose Caribbean?*: An Allegory, in Part
  2. Thomas Glave
  3. pp. 671-681
  4. DOI: https://doi.org/10.1353/cal.2004.0112
  5. restricted access
  1. A Poet of Place: An Interview with M. NourbeSe Philip
  2. Kristen Mahlis, Marlene Nourbese Philip
  3. pp. 682-697
  4. DOI: https://doi.org/10.1353/cal.2004.0127
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  1. Reader, I Married Him: An Interview with Alison Mills
  2. Harryette Romell Mullen, Alison Mills
  3. pp. 698-714
  4. DOI: https://doi.org/10.1353/cal.2004.0129
  5. restricted access
  1. Cinema of the Oppressed: An Interview with Francisco Newman
  2. Harryette Romell Mullen, Francisco Newman
  3. pp. 715-733
  4. DOI: https://doi.org/10.1353/cal.2004.0130
  5. restricted access
  1. An Interview with Barbara Earl Thomas
  2. Charles H. Rowell, Barbara Earl Thomas
  3. pp. 736-749
  4. DOI: https://doi.org/10.1353/cal.2004.0134
  5. restricted access
  1. In My Father's House There Are Many Roomers, and: The Fire Carrier, and: Last Book, Last Fire, and: Passing Secrets, and: Night Crawlers and Earth Worms, and: Man Cleans Fish
  2. Barbara Earl Thomas
  3. pp. 751-754
  4. DOI: https://doi.org/10.1353/cal.2004.0119
  5. restricted access
  1. Resistance, Reappropriation, and Reconciliation: The Blues and Flying Africans in Gayl Jones's Song for Anninho
  2. Lovalerie King
  3. pp. 755-767
  4. DOI: https://doi.org/10.1353/cal.2004.0126
  5. restricted access
  1. Was Your Mama Mulatto? Notes Toward a Theory of Racialized Sexuality in Gayl Jones's Corregidora and Julie Dash's Daughters of the Dust
  2. Caroline Streeter
  3. pp. 768-787
  4. DOI: https://doi.org/10.1353/cal.2004.0136
  5. restricted access
  1. Remaking Identity, Unmaking Nation: Historical Recovery and the Reconstruction of Community in In the Time of the Butterflies and The Farming of Bones
  2. Lynn Chun Ink
  3. pp. 788-807
  4. DOI: https://doi.org/10.1353/cal.2004.0120
  5. restricted access
  1. Is This Resistance? African American Postmodernism in Sarah Phillips
  2. Adrienne McCormick
  3. pp. 808-828
  4. DOI: https://doi.org/10.1353/cal.2004.0128
  5. restricted access
  1. 'Voicing the Text': The Making of an Oral Poetics in Olive Senior's Short Fiction
  2. Hyacinth M. Simpson
  3. pp. 829-843
  4. DOI: https://doi.org/10.1353/cal.2004.0135
  5. restricted access
  1. Contributors
  3. pp. 844-846
  4. DOI: https://doi.org/10.1353/cal.2004.0108
  5. restricted access