1. Theatre History's "View of the World"
  2. Steve Tillis
  3. pp. 6-10
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  1. Why "Social Theatre"?
  2. James Thompson, Richard Schechner
  3. pp. 11-16
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  1. Here We Are: Social Theatre and Some Open Questions about Its Developments
  2. Guglielmo Schinina
  3. pp. 17-31
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  1. "Far Away, So Close": Psychosocial and Theatre Activities with Serbian Refugees
  2. Guglielmo Schinina
  3. pp. 32-49
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  1. Social Theatre in Bangladesh
  2. Najamula Ahsana
  3. pp. 50-58
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  1. Badal Sircar: Scripting a Movement
  2. Shayoni Mitra
  3. pp. 59-78
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  1. ACTing: The pandies' theatre of Delhi
  2. Sanjay Kumar
  3. pp. 79-95
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  1. Taking Hostages: Staging Human Rights
  2. Paul Heritage
  3. pp. 96-106
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  1. Staging Prisons: Performance, Activism, and Social Bodies
  2. Peter Caster
  3. pp. 107-116
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  1. Whose Play Is It?: The Issue of Authorship/Ownership in Israeli Community-Based Theatre
  2. Shulamith Lev-Aladgem
  3. pp. 117-134
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  1. The Playwright in Residence: A Community's Storyteller
  2. Amanda Stuart Fisher
  3. pp. 135-149
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  1. Digging Up Stories: An Archaeology of Theatre in War
  2. James Thompson
  3. pp. 150-164
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  1. Art in a Democracy
  2. Dudley Cocke
  3. pp. 165-173
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  1. One Hand, Many Fingers
  2. Richard Schechner
  3. pp. 174-179
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  1. Playing in the War Zone
  2. Brett Bailey
  3. pp. 180-185
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  1. The Man Who Saved Kabuki: Faubion Bowers and Theatre Censorship in Occupied Japan (review)
  2. Carol Fisher Sorgenfrei
  3. pp. 186-188
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  1. The Queerest Art: Essays on Lesbian and Gay Theater (review)
  2. Kim Marra
  3. pp. 188-190
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  1. Fluxus Experience (review)
  2. Branislav Jakovljevic
  3. pp. 190-192
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  1. Modern Enchantments: The Cultural Power of Secular Magic (review)
  2. Martin Harries
  3. pp. 192-194
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  1. The Oxford Encyclopedia of Theatre and Performance (review)
  2. Edward Ziter
  3. pp. 194-196
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