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Table of Contents

  1. Notes: A Sixtieth Birthday Retrospective
  2. Donald William Krummel
  3. pp. 9-23
  4. DOI: https://doi.org/10.1353/not.2004.0104
  5. restricted access
  1. Sylvia Smith Interviews Herself on the Thirtieth Year of Smith Publications and Sonic Art Editions
  2. Sylvia H. Smith
  3. pp. 24-34
  4. DOI: https://doi.org/10.1353/not.2004.0116
  5. restricted access
  1. Knowing Mendelssohn: A Challenge from the Primary Sources
  2. John Michael Cooper
  3. pp. 35-95
  4. DOI: https://doi.org/10.1353/not.2004.0090
  5. restricted access
  1. Martin Scorsese Presents The Blues: A Musical Journey (review)
  2. Edward M. Komara
  3. pp. 104-106
  4. DOI: https://doi.org/10.1353/not.2004.0101
  5. restricted access
  1. Representing African Music: Postcolonial Notes, Queries, Positions (review)
  2. Gabriel Solis
  3. pp. 106-108
  4. DOI: https://doi.org/10.1353/not.2004.0118
  5. restricted access
  1. The African Diaspora: A Musical Perspective (review)
  2. Frank D. Gunderson
  3. pp. 109-111
  4. DOI: https://doi.org/10.1353/not.2004.0095
  5. restricted access
  1. Musical Arts in Africa: Theory, Practice and Education (review)
  2. Kathy M. Robinson
  3. pp. 111-113
  4. DOI: https://doi.org/10.1353/not.2004.0114
  5. restricted access
  1. Paul Whiteman: Pioneer in American Music (review)
  2. Wayne Joseph Schneider
  3. pp. 114-116
  4. DOI: https://doi.org/10.1353/not.2004.0115
  5. restricted access
  1. George Gershwin: A New Biography (review)
  2. Larry Starr
  3. pp. 116-119
  4. DOI: https://doi.org/10.1353/not.2004.0119
  5. restricted access
  1. Richard Rodgers (review)
  2. Paul R. Laird
  3. pp. 119-120
  4. DOI: https://doi.org/10.1353/not.2004.0105
  5. restricted access
  1. Luca Marenzio: The Career of a Musician between the Renaissance and the Counter-Reformation (review)
  2. Noel O'Regan
  3. pp. 121-122
  4. DOI: https://doi.org/10.1353/not.2004.0110
  5. restricted access
  1. The Cambridge Companion to Mozart (review)
  2. Laurel E. Zeiss
  3. pp. 122-124
  4. DOI: https://doi.org/10.1353/not.2004.0122
  5. restricted access
  1. The Cambridge Companion to Debussy (review)
  2. Julian Onderdonk
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/not.2004.0109
  5. restricted access
  1. Symphonic Metamorphoses: Subjectivity and Alienation in Mahler's Re-Cycled Songs (review)
  2. Eftychia Papanikolaou
  3. pp. 126-128
  4. DOI: https://doi.org/10.1353/not.2004.0111
  5. restricted access
  1. Sibelius Forum II: Proceedings from the Third International Jean Sibelius Conference (review)
  2. William A. Everett
  3. pp. 128-130
  4. DOI: https://doi.org/10.1353/not.2004.0093
  5. restricted access
  1. A Schoenberg Reader: Documents of a Life (review)
  2. Phillip Murray Dineen
  3. pp. 130-131
  4. DOI: https://doi.org/10.1353/not.2004.0092
  5. restricted access
  1. The Music of Luigi Dallapiccola (review)
  2. Graham H. Phipps
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/not.2004.0112
  5. restricted access
  1. Music and Nazism: Art under Tyranny, 1933-1945 (review)
  2. Christopher Hailey
  3. pp. 134-137
  4. DOI: https://doi.org/10.1353/not.2004.0096
  5. restricted access
  1. The Literary Lorgnette: Attending Opera in Imperial Russia (review)
  2. Mary S. Woodside
  3. pp. 137-140
  4. DOI: https://doi.org/10.1353/not.2004.0120
  5. restricted access
  1. From the Erotic to the Demonic: On Critical Musicology (review)
  2. Nasser Al-Taee
  3. pp. 140-142
  4. DOI: https://doi.org/10.1353/not.2004.0083
  5. restricted access
  1. Bright Balkan Morning: Romani Lives and the Power of Music in Greek Macedonia (review)
  2. Mark Levy
  3. pp. 142-145
  4. DOI: https://doi.org/10.1353/not.2004.0106
  5. restricted access
  1. The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (review)
  2. Mark Kroll
  3. pp. 145-147
  4. DOI: https://doi.org/10.1353/not.2004.0103
  5. restricted access
  1. C. F. Martin & His Guitars, 1796-1873 (review)
  2. Gary R. Boye
  3. pp. 147-150
  4. DOI: https://doi.org/10.1353/not.2004.0088
  5. restricted access
  1. The Flute (review)
  2. Tula Giannini
  3. pp. 150-152
  4. DOI: https://doi.org/10.1353/not.2004.0094
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  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 153-178
  4. DOI: https://doi.org/10.1353/not.2004.0121
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  1. New Periodicals
  2. Tracey Rudnick
  3. pp. 179-193
  4. DOI: https://doi.org/10.1353/not.2004.0124
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  1. Jewish Music on the Internet
  2. Judith S. Pinnolis
  3. pp. 194-197
  4. DOI: https://doi.org/10.1353/not.2004.0123
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  1. RILM Online: A Comparison of Vendors
  2. Donna M. Arnold, Judy Clarence, Stephen Luttmann, Holling Smith-Borne
  3. pp. 197-205
  4. DOI: https://doi.org/10.1353/not.2004.0086
  5. restricted access
  1. Reggae Music: A History and Selective Discography
  2. Rick Anderson
  3. pp. 206-214
  4. DOI: https://doi.org/10.1353/not.2004.0085
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  1. Les organa a deux voix du manuscrit de Wolfenbuttel, Herzog August Bibliothek, Cod. Guelf. 1099 Hemst. (review)
  2. Theodore Karp
  3. pp. 215-219
  4. DOI: https://doi.org/10.1353/not.2004.0098
  5. restricted access
  1. Early Masses and Mass-Pairs (review)
  2. Jon Michael Allsen
  3. pp. 219-222
  4. DOI: https://doi.org/10.1353/not.2004.0084
  5. restricted access
  1. Motetti de Passione, de Cruce, de Sacramento, de Beata Virgine et huiusmodi B, Venice, 1503 (review)
  2. Patrick Paul Macey
  3. pp. 222-226
  4. DOI: https://doi.org/10.1353/not.2004.0107
  5. restricted access
  1. Vesper and Compline Music for One Principal Voice, and: Vesper and Compline Music for Two Principal Voices, and: Vesper and Compline Music for Three Principal Voices, and: Vesper and Compline Music for Four Principal Voices, and: Vesper and Compline Music for Five Principal Voices, and: Vesper and Compline Music for Six and Seven Principal Voices, and: Vesper and Compline Music for Eight Principal Voices, and: Vesper Music for Multiple Choirs (review)
  2. Robert L. Kendrick
  3. pp. 226-231
  4. DOI: https://doi.org/10.1353/not.2004.0099
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  1. Fragmente (review)
  2. Richard Kramer
  3. pp. 231-237
  4. DOI: https://doi.org/10.1353/not.2004.0102
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  1. Various Works by Daniel Asia
  2. Stephen Dankner
  3. pp. 237-240
  4. DOI: https://doi.org/10.1353/not.2004.0091
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  1. Chamber Music (review)
  2. Catherine Parsons Smith
  3. pp. 241-242
  4. DOI: https://doi.org/10.1353/not.2004.0117
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  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 257-264
  4. DOI: https://doi.org/10.1353/not.2004.0097
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  1. Communications
  3. pp. 265-266
  4. DOI: https://doi.org/10.1353/not.2004.0089
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  1. Notes for Notes
  3. pp. 96-103
  4. DOI: https://doi.org/10.1353/not.2004.0108
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  1. Music Received
  2. David Knapp
  3. pp. 243-256
  4. DOI: https://doi.org/10.1353/not.2004.0100
  5. restricted access