In this Issue
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers to the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream.
published by
Duke University Pressviewing issue
56 (Volume 19, Number 2), 2004Editorial Board
Editors
Amelie Hastie, University of California, Santa Cruz
Lynne Joyrich, Brown University
Constance Penley, University of California, Santa Barbara
Sasha Torres, Johns Hopkins University
Patricia White, Swarthmore College
Sharon Willis, University of Rochester
Managing Editor
Andrea Fontenot
Interns
Sydney Duncan
Caroline Hong
Molly Moloney
Advisory Editors
Elizabeth Alexander
Rey Chow
Danae Clark
Julie D'Acci
Mary Ann Doane
Alexander Doty
Rosa Linda Fregoso
Ana Lopez
Wahneema Lubiano
Anna McCarthy
Meaghan Morris
Linda Orr
David Rodowick