In this Issue
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers to the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream.
published by
Duke University Pressviewing issue
56 (Volume 19, Number 2), 2004Table of Contents
pp. 46-73
pp. 140-169
pp. iv-45
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| ISSN | 1529-1510 |
|---|---|
| Print ISSN | 0270-5346 |
| Launched on MUSE | 2004-08-10 |
| Open Access | No |
| Archive Status | Archived 2005 |
