Asian Theatre Journal

In this Issue

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MORAL: A Play by Kisaragi Koharu

Koharu Kisaragi, Colleen Lanki, Keiko Tsuneda, Sadakari Lei

pp. 119-176

DOI: https://doi.org/10.1353/atj.2004.0016

Diasporic Spaces in K. S. Maniam's The Sandpit: Womensis

Susan Philip

pp. 177-186

DOI: https://doi.org/10.1353/atj.2004.0022

Karagoz and Hacivat: Projections of Subversion and Conformance

James Smith

pp. 187-193

DOI: https://doi.org/10.1353/atj.2004.0027

Wayang Wahyu as an Example of Christian Forms of Shadow Theatre

Marzanna Poplawska

pp. 194-202

DOI: https://doi.org/10.1353/atj.2004.0024

Perspectives on Korean Dance (review)

Richard Nichols

pp. 203-205

DOI: https://doi.org/10.1353/atj.2004.0021

Voices from the Straw Mat: Toward an Ethnography of Korean Story Singing (review)

Andrew P. Killick

pp. 206-208

DOI: https://doi.org/10.1353/atj.2004.0015

Tibetan Sacred Dance, A Journey into the Religious and Folk Traditions (review)

Colin Mackerras

pp. 209-210

DOI: https://doi.org/10.1353/atj.2004.0019

The Second Highest World War: The Rama Theatre (review)

David Mason

pp. 211-212

DOI: https://doi.org/10.1353/atj.2004.0020

Huju: Traditional Opera in Modern Shanghai (review)

Jing Shen

pp. 212-216

DOI: https://doi.org/10.1353/atj.2004.0026

Frozen Moments: Writings on Kabuki 1966-2001 (review)

Holly A. Blumner

pp. 216-219

DOI: https://doi.org/10.1353/atj.2004.0009

Documentation of Koodiyattam (review)

Diane Daugherty

pp. 220-221

DOI: https://doi.org/10.1353/atj.2004.0010

Know Your Heritage (review)

Diane Daugherty

pp. 222-224

DOI: https://doi.org/10.1353/atj.2004.0011

Kutiyattam: Sanskrit Theatre of India (review)

Diane Daugherty

pp. 224-225

DOI: https://doi.org/10.1353/atj.2004.0012

Kutiyattam Episode: Kamshavadham (review)

Diane Daugherty

p. 225

DOI: https://doi.org/10.1353/atj.2004.0013

Kathakali: Kottayam Plays (review)

Marlene Pitkow

pp. 226-230

DOI: https://doi.org/10.1353/atj.2004.0023

Buddhism as/in Performance: Analysis of Meditation and Theatrical Practice (review)

Barbara Sellers-Young

pp. 230-231

DOI: https://doi.org/10.1353/atj.2004.0025

Kabuki Dance I: Bando Tamasaburo: Kyo Kanoko Musume Dojoji, and: Kabuki Dance II: Bando Tamasaburo: Sagi Musume (review)

Samuel L. Leiter

pp. 232-234

DOI: https://doi.org/10.1353/atj.2004.0018

Editor's Note

Samuel L. Leiter

p. iii

DOI: https://doi.org/10.1353/atj.2004.0014

The Theatres of Asia: An Introduction (review)

Samuel L. Leiter

pp. 231-232

DOI: https://doi.org/10.1353/atj.2004.0017

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Volume 21, Number 1, Spring 2004

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Additional Information
ISSN	1527-2109
Print ISSN	0742-5457
Launched on MUSE	2004-07-30
Open Access	No

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Asian Theatre Journal

In this Issue

Volume 21, Number 2, Fall 2004

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Table of Contents

MORAL: A Play by Kisaragi Koharu

Diasporic Spaces in K. S. Maniam's The Sandpit: Womensis

Karagoz and Hacivat: Projections of Subversion and Conformance

Wayang Wahyu as an Example of Christian Forms of Shadow Theatre

Perspectives on Korean Dance (review)

Voices from the Straw Mat: Toward an Ethnography of Korean Story Singing (review)

Tibetan Sacred Dance, A Journey into the Religious and Folk Traditions (review)

The Second Highest World War: The Rama Theatre (review)

Huju: Traditional Opera in Modern Shanghai (review)

Frozen Moments: Writings on Kabuki 1966-2001 (review)

Documentation of Koodiyattam (review)

Know Your Heritage (review)

Kutiyattam: Sanskrit Theatre of India (review)

Kutiyattam Episode: Kamshavadham (review)

Kathakali: Kottayam Plays (review)

Buddhism as/in Performance: Analysis of Meditation and Theatrical Practice (review)

Kabuki Dance I: Bando Tamasaburo: Kyo Kanoko Musume Dojoji, and: Kabuki Dance II: Bando Tamasaburo: Sagi Musume (review)

Editor's Note

The Theatres of Asia: An Introduction (review)

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Next Issue

Copyright

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