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In this Issue

Table of Contents

  1. Grocers, Goldsmiths, and Drapers: Freemen and Apprentices in the Elizabethan Theater
  2. David Kathman
  3. pp. 1-49
  4. DOI: https://doi.org/10.1353/shq.2004.0049
  5. restricted access
  1. False Play: Shakespeare and Chess
  2. William Poole
  3. pp. 50-70
  4. DOI: https://doi.org/10.1353/shq.2004.0055
  5. restricted access
  1. Shakespeare (review)
  2. Jay L. Halio
  3. pp. 71-72
  4. DOI: https://doi.org/10.1353/shq.2004.0045
  5. restricted access
  1. The Tempest (review)
  2. William H. Sherman
  3. pp. 72-74
  4. DOI: https://doi.org/10.1353/shq.2004.0057
  5. restricted access
  1. King Henry IV, Part 1 (review)
  2. Christopher Highley
  3. pp. 75-77
  4. DOI: https://doi.org/10.1353/shq.2004.0047
  5. restricted access
  1. Rescripting Shakespeare: The Text, the Director, and Modern Productions (review)
  2. Cary M. Mazer
  3. pp. 77-80
  4. DOI: https://doi.org/10.1353/shq.2004.0052
  5. restricted access
  1. Stages and Playgoers: From Guild Plays to Shakespeare (review)
  2. Michael E. Mooney
  3. pp. 80-83
  4. DOI: https://doi.org/10.1353/shq.2004.0053
  5. restricted access
  1. Shakespeare and Domestic Loss: Forms of Deprivation, Mourning, and Recuperation (review)
  2. Richard P. Wheeler
  3. pp. 83-84
  4. DOI: https://doi.org/10.1353/shq.2004.0058
  5. restricted access
  1. "The World Must Be Peopled": Shakespeare's Comedies of Forgiveness (review)
  2. John D. Cox
  3. pp. 85-86
  4. DOI: https://doi.org/10.1353/shq.2004.0042
  5. restricted access
  1. Henry VI: Critical Essays (review)
  2. Patricia Berrahou Phillippy
  3. pp. 86-88
  4. DOI: https://doi.org/10.1353/shq.2004.0054
  5. restricted access
  1. Hamlet: New Critical Essays (review)
  2. Paul Cefalu
  3. pp. 88-91
  4. DOI: https://doi.org/10.1353/shq.2004.0040
  5. restricted access
  1. Shakespeare's Tragic Skepticism (review)
  2. Michael Holahan
  3. pp. 91-93
  4. DOI: https://doi.org/10.1353/shq.2004.0048
  5. restricted access
  1. Shakespeare, Marlowe and the Politics of France (review)
  2. Karen Cunningham
  3. pp. 93-94
  4. DOI: https://doi.org/10.1353/shq.2004.0043
  5. restricted access
  1. Practicing Renaissance Scholarship: Plays and Pageants, Patrons and Politics (review)
  2. Gordon Kipling
  3. pp. 94-98
  4. DOI: https://doi.org/10.1353/shq.2004.0050
  5. restricted access
  1. Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture (review)
  2. Jeffrey Jerome Cohen
  3. pp. 98-100
  4. DOI: https://doi.org/10.1353/shq.2004.0041
  5. restricted access
  1. Theatres and Encyclopedias in Early Modern Europe (review)
  2. Michael Harrawood
  3. pp. 100-102
  4. DOI: https://doi.org/10.1353/shq.2004.0046
  5. restricted access
  1. Figuring Sex between Men from Shakespeare to Rochester (review)
  2. Nicholas F. Radel
  3. pp. 102-105
  4. DOI: https://doi.org/10.1353/shq.2004.0056
  5. restricted access
  1. The Shakespeare Effect: A History of Twentieth-Century Performance (review)
  2. James N. Loehlin
  3. pp. 105-107
  4. DOI: https://doi.org/10.1353/shq.2004.0051
  5. restricted access
  1. Not Shakespeare: Bardolatry and Burlesque in the Nineteenth Century (review)
  2. Michael Dobson
  3. pp. 107-108
  4. DOI: https://doi.org/10.1353/shq.2004.0044
  5. restricted access
  1. Contributors
  3. pp. 109-111
  4. DOI: https://doi.org/10.1353/shq.2004.0039
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