1. A Monstrous Body of Writing?: Irregularity and the Implicit Unity of Montaigne's "Des boyteux"
  2. Bernd Renner
  3. pp. 1-20
  4. DOI: 10.1353/frf.2004.0038
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  1. Strategies of Happiness: Painting and Stage in Diderot
  2. Scott Stewart Bryson
  3. pp. 21-44
  4. DOI: 10.1353/frf.2004.0032
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  1. Signs of Anarchy: Aesthetics, Politics, and the Symbolist Critic at the Mercure de France, 1890-95
  2. Erin M. Williams
  3. pp. 45-68
  4. DOI: 10.1353/frf.2004.0039
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  1. Wordplay and the Contextual Circle in Queneau's Petite Cosmogonie Portative
  2. Chris Andrews
  3. pp. 69-82
  4. DOI: 10.1353/frf.2004.0029
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  1. Au-dela de l'auto-fiction: Ecriture et lecture de Dora Bruder, de Patrick Modiano
  2. Béatrice Damamme Gilbert
  3. pp. 83-99
  4. DOI: 10.1353/frf.2004.0033
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  1. Daniel Oster, deleatur, moriendo : a propos de Rangements
  2. Paul Echinard-Garin
  3. pp. 101-112
  4. DOI: 10.1353/frf.2004.0036
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  1. Les enfants Antigone
  2. Catherine Dana
  3. pp. 113-125
  4. DOI: 10.1353/frf.2004.0034
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  1. Time and Ways of Knowing Under Louis XIV (review)
  2. Laurence A. Gregorio
  3. pp. 127-129
  4. DOI: 10.1353/frf.2004.0037
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  1. La Figure du bibliomane: Histoire du livre et strategie litteraire au XIXe siecle (review)
  2. Gayle Zachmann
  3. pp. 129-130
  4. DOI: 10.1353/frf.2004.0040
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  1. La culture francaise vue d'ici et d'ailleurs (review)
  2. Catherine Dana
  3. pp. 130-132
  4. DOI: 10.1353/frf.2004.0035
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  1. The Colonial Unconscious: Race and Culture in Interwar France (review)
  2. Martine Antle
  3. pp. 132-134
  4. DOI: 10.1353/frf.2004.0031
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  1. Books Received
  3. pp. 135-136
  4. DOI: 10.1353/frf.2004.0030
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