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Table of Contents

  1. Twins
  2. Robert Olen Butler
  3. pp. 3-10
  4. DOI: https://doi.org/10.1353/psg.2004.0065
  5. restricted access
  1. Universe In Black
  2. Ginny MacKenzie
  3. pp. 11-12
  4. DOI: https://doi.org/10.1353/psg.2004.0084
  5. restricted access
  1. Hooking Up the Power, and: Learning to Walk
  2. Minnie Bruce Pratt
  3. pp. 16-18
  4. DOI: https://doi.org/10.1353/psg.2004.0089
  5. restricted access
  1. Summer
  2. Maureen Seaton
  3. pp. 19-21
  4. DOI: https://doi.org/10.1353/psg.2004.0092
  5. restricted access
  1. Insulting the Angels
  2. Alice Hoffman
  3. pp. 22-33
  4. DOI: https://doi.org/10.1353/psg.2004.0081
  5. restricted access
  1. Palindrome, and: Last Days, and: Scar, and: Counting Herons, and: Flying Low
  2. Tony Whedon
  3. pp. 34-40
  4. DOI: https://doi.org/10.1353/psg.2004.0101
  5. restricted access
  1. News, 2001, and: Ethics, and: Dylan and Hendrix in a Jar
  2. Leslie Heywood
  3. pp. 40-45
  4. DOI: https://doi.org/10.1353/psg.2004.0080
  5. restricted access
  1. Sweetness
  2. Sharon Oard Warner
  3. pp. 46-63
  4. DOI: https://doi.org/10.1353/psg.2004.0100
  5. restricted access
  1. A Tale of Springtime, and: Metropolis
  2. David Semanki
  3. pp. 64-65
  4. DOI: https://doi.org/10.1353/psg.2004.0093
  5. restricted access
  1. Icarian, and: After the Storm
  2. Brian Swann
  3. pp. 65-66
  4. DOI: https://doi.org/10.1353/psg.2004.0098
  5. restricted access
  1. Suddenly October
  2. Eugene Gloria
  3. p. 67
  4. DOI: https://doi.org/10.1353/psg.2004.0079
  5. restricted access
  1. A Sad Tale, and: Small Boy on Playground, Detroit, 1940s
  2. Peter Cooley
  3. pp. 68-69
  4. DOI: https://doi.org/10.1353/psg.2004.0070
  5. restricted access
  1. Oracles
  2. Janet Burroway
  3. pp. 70-85
  4. DOI: https://doi.org/10.1353/psg.2004.0064
  5. restricted access
  1. Get Up: Today's Date Already Crossed Off, and: What City, What Day, and: They Fly to Me
  2. Nance Van Winckel
  3. pp. 86-88
  4. DOI: https://doi.org/10.1353/psg.2004.0102
  5. restricted access
  1. Two, and: Prayer
  2. Martha Collins
  3. pp. 88-89
  4. DOI: https://doi.org/10.1353/psg.2004.0068
  5. restricted access
  1. This Moment, and: Yogic Rubric
  2. Linda Caldwell
  3. pp. 89-91
  4. DOI: https://doi.org/10.1353/psg.2004.0066
  5. restricted access
  1. All the Rage
  2. Gabriel Spera
  3. pp. 92-93
  4. DOI: https://doi.org/10.1353/psg.2004.0097
  5. restricted access
  1. The Museum of Antiquity, Illustrated
  2. Robin Ekiss
  3. p. 94
  4. DOI: https://doi.org/10.1353/psg.2004.0073
  5. restricted access
  1. Breaking and Entering
  2. Eileen Pollack
  3. pp. 95-114
  4. DOI: https://doi.org/10.1353/psg.2004.0088
  5. restricted access
  1. In the IHOP in Vestal, NY
  2. Maria M. Gillan
  3. pp. 115-117
  4. DOI: https://doi.org/10.1353/psg.2004.0077
  5. restricted access
  1. from Obsolete Cocktails
  2. Julie Sheehan
  3. pp. 117-120
  4. DOI: https://doi.org/10.1353/psg.2004.0094
  5. restricted access
  1. Sawmill Coffee, 1940, and: Robert Johnson, and: Elvis in Oz
  2. William Miller
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/psg.2004.0086
  5. restricted access
  1. Bus Driver
  2. Susan Snively
  3. pp. 124-125
  4. DOI: https://doi.org/10.1353/psg.2004.0096
  5. restricted access
  1. straight man, and: reference room
  2. Bill Rector
  3. pp. 126-127
  4. DOI: https://doi.org/10.1353/psg.2004.0090
  5. restricted access
  1. All Life's Grandeur
  2. Daphne Kalotay
  3. pp. 128-140
  4. DOI: https://doi.org/10.1353/psg.2004.0083
  5. restricted access
  1. This
  2. Gary Fincke
  3. p. 141
  4. DOI: https://doi.org/10.1353/psg.2004.0074
  5. restricted access
  1. The Encantadas, and: Dracula Teeth
  2. Judith Taylor
  3. pp. 142-144
  4. DOI: https://doi.org/10.1353/psg.2004.0099
  5. restricted access
  1. Sabbath
  2. Lynn Domina
  3. p. 145
  4. DOI: https://doi.org/10.1353/psg.2004.0072
  5. restricted access
  1. The Man Who Brought His Own Food
  2. Steven Sher
  3. p. 146
  4. DOI: https://doi.org/10.1353/psg.2004.0095
  5. restricted access
  1. Naming the Monster
  2. Phoebe Kate Foster
  3. pp. 147-159
  4. DOI: https://doi.org/10.1353/psg.2004.0075
  5. restricted access
  1. Children, and: The New Old-Time Religion, and: Poem, and: Transvestite
  2. Boyer Rickel
  3. pp. 160-163
  4. DOI: https://doi.org/10.1353/psg.2004.0091
  5. restricted access
  1. Moth Myth, and: Cuckoo Spit, and: A Magpie, and: High Summer at the Seafront at Portrush
  2. Ciaran Berry
  3. pp. 164-167
  4. DOI: https://doi.org/10.1353/psg.2004.0063
  5. restricted access
  1. A World of Its Own
  2. Kenny Fries
  3. pp. 168-183
  4. DOI: https://doi.org/10.1353/psg.2004.0076
  5. restricted access
  1. Bogeyman, and: On Showing Off, and: New World
  2. Averill Curdy
  3. pp. 184-188
  4. DOI: https://doi.org/10.1353/psg.2004.0071
  5. restricted access
  1. Reading
  2. Ann Glenn
  3. pp. 188-189
  4. DOI: https://doi.org/10.1353/psg.2004.0078
  5. restricted access

Reviews

  1. Edgewater (review)
  2. Adrianne Kalfopoulou
  3. pp. 190-191
  4. DOI: https://doi.org/10.1353/psg.2004.0082
  5. restricted access
  1. In These Hills (review)
  2. Gregory L. Morris
  3. pp. 192-193
  4. DOI: https://doi.org/10.1353/psg.2004.0087
  5. restricted access
  1. Skid (review)
  2. Hadara Bar-Nadav
  3. pp. 193-195
  4. DOI: https://doi.org/10.1353/psg.2004.0062
  5. restricted access
  1. When There Is No Shore (review)
  2. Helen Marie Casey
  3. pp. 195-197
  4. DOI: https://doi.org/10.1353/psg.2004.0067
  5. restricted access

Contributors

  1. Contributor Notes
  2. pp. 198-201
  3. DOI: https://doi.org/10.1353/psg.2004.0069
  4. restricted access