1. From the Pinkertons to the PATRIOT Act: The Trajectory of Political Policing in the United States, 1870 to the Present
  2. Ward Churchill
  3. pp. 1-72
  4. DOI: 10.1353/ncr.2004.0016
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  1. Globalicities: Terror and Its Consequences
  2. Gayatri Chakravorty Spivak
  3. pp. 73-94
  4. DOI: 10.1353/ncr.2004.0026
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  1. "What Is Represented Is What Is at Stake": Frederic Brenner on jews/america/a representation
  2. Louis Kaplan, Frederic Brenner
  3. pp. 95-122
  4. DOI: 10.1353/ncr.2004.0022
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  1. A Pain in the Neck, a Scene of "Incest," and Other Enigmas of an Allegorical Cinema: Tsai Ming-liang's The River
  2. Rey Chow
  3. pp. 123-142
  4. DOI: 10.1353/ncr.2004.0018
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  1. On the Butcher Block: A Panorama of Social Marking
  2. Henry Sussman
  3. pp. 143-168
  4. DOI: 10.1353/ncr.2004.0027
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  1. Rereading Borges's "The Aleph": On the Name of a Place, a Word, and a Letter
  2. Block de Behar, Lisa, William Egginton
  3. pp. 169-187
  4. DOI: 10.1353/ncr.2004.0017
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  1. Borrowing Power: Racial Metaphors and Pseudo-Indian Mascots
  2. C. Richard King
  3. pp. 189-209
  4. DOI: 10.1353/ncr.2004.0023
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  1. "I Can't See": Sovereignty, Oblique Vision, and the Outlaw in Hawks's Scarface
  2. Gaurav Majumdar
  3. pp. 211-226
  4. DOI: 10.1353/ncr.2004.0024
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  1. The Haunted House of Kinship: Miscegenation, Homosexuality, and Faulkner's Absalom, Absalom!
  2. Christopher Peterson
  3. pp. 227-265
  4. DOI: 10.1353/ncr.2004.0025
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  1. On the Betrayal of Nations: Jose Alvarez de Toledo's Philadelphia Manifesto (1811) and Justification (1816)
  2. Kristin Dykstra
  3. pp. 267-305
  4. DOI: 10.1353/ncr.2004.0020
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  1. Dolce Stil Novo: Harmony Korine's Vernacular
  2. Thomas Carl Wall
  3. pp. 307-321
  4. DOI: 10.1353/ncr.2004.0028
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  1. Editors' Note
  2. pp. vii-viii
  3. DOI: 10.1353/ncr.2004.0021
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  1. Contributors
  2. pp. 323-327
  3. DOI: 10.1353/ncr.2004.0019
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