In this Issue

Table of Contents

The Spectacle of the Scaffolding: Rape and the Violent Foundations of Medieval Theatre Studies

Jody Enders
pp. 163-181
DOI: https://doi.org/10.1353/tj.2004.0052
restricted access

Clockwise-Counterclockwise (The Vowelless Revolution)

Spencer Golub
pp. 183-203
DOI: https://doi.org/10.1353/tj.2004.0058
restricted access

Unveiling the Void: The Presence of Absence in the Scenography of Jean Genet's The Screens

Clare Finburgh
pp. 205-224
DOI: https://doi.org/10.1353/tj.2004.0055
restricted access

"sneakin' and spyin'" from Broadway to the Beltway: Cold War Masculinity, Brick, and Homosexual Existentialism

John Bak
pp. 225-249
DOI: https://doi.org/10.1353/tj.2004.0042
restricted access

Ong Keng Sen's Desdemona, Ugliness, and the Intercultural Performative

Yong Li Lan
pp. 251-273
DOI: https://doi.org/10.1353/tj.2004.0065
restricted access

Doctoral Projects in Progress in Theatre Arts, 2004

Linda Donahue
pp. 275-279
DOI: https://doi.org/10.1353/tj.2004.0050
restricted access

Nothin' Beats Pussy (review)

Shane Vogel
pp. 281-283
DOI: https://doi.org/10.1353/tj.2004.0076
restricted access

Jobox (review)

Marcia L. Ferguson
pp. 283-284
DOI: https://doi.org/10.1353/tj.2004.0054
restricted access

How Do You Keep Talking Even When You've Said Everything You Thought Possible?, and: Bed Full of Songs (review)

Ehren Fordyce
pp. 284-287
DOI: https://doi.org/10.1353/tj.2004.0056
restricted access

Live Culture (review)

Sarah Wishart
pp. 287-289
DOI: https://doi.org/10.1353/tj.2004.0079
restricted access

The 40th Theatertreffen (review)

John Rouse
pp. 289-293
DOI: https://doi.org/10.1353/tj.2004.0070
restricted access

Festival Theatre des Ameriques (Montreal) (review)

Allen J. Kuharski
pp. 293-296
DOI: https://doi.org/10.1353/tj.2004.0064
restricted access

Avignon Theatre Festival Strike (review)

Robert Schneider
pp. 296-299
DOI: https://doi.org/10.1353/tj.2004.0072
restricted access

8 by Tenn (review)

Joe E. Jeffreys
pp. 299-301
DOI: https://doi.org/10.1353/tj.2004.0061
restricted access

Waiting for Godot (review)

J. Chris Westgate
pp. 301-303
DOI: https://doi.org/10.1353/tj.2004.0078
restricted access

Henry IV, Part One (review)

Amy Hughes
pp. 303-304
DOI: https://doi.org/10.1353/tj.2004.0060
restricted access

Salome: The Reading (review)

Michael Y. Bennett
pp. 305-306
DOI: https://doi.org/10.1353/tj.2004.0046
restricted access

Beckett/Albee (review)

Martin Puchner
pp. 306-308
DOI: https://doi.org/10.1353/tj.2004.0069
restricted access

Democracy (review)

Peter B. Young
pp. 308-309
DOI: https://doi.org/10.1353/tj.2004.0081
restricted access

We Will Rock You (review)

Rebecca-Anne do Rozario
pp. 310-311
DOI: https://doi.org/10.1353/tj.2004.0071
restricted access

Beauty (review)

Amy Cook
pp. 311-313
DOI: https://doi.org/10.1353/tj.2004.0049
restricted access

Avenue Q (review)

Tom Smith
pp. 313-314
DOI: https://doi.org/10.1353/tj.2004.0075
restricted access

Live Nude Bouffons, and: Quinnopolis vs. Hamlet (review)

Thomas L. King
pp. 314-316
DOI: https://doi.org/10.1353/tj.2004.0062
restricted access

The Hanging Man (review)

Lise Evans
pp. 317-319
DOI: https://doi.org/10.1353/tj.2004.0053
restricted access

The Secret in the Wings (review)

Wendy Arons
pp. 319-320
DOI: https://doi.org/10.1353/tj.2004.0040
restricted access

A Queer Sort of Materialism: Recontextualizing American Theatre (review)

Theresa Smalec
pp. 321-322
DOI: https://doi.org/10.1353/tj.2004.0074
restricted access

Shakespeare and the Force of Modern Performance (review)

John Osburn
pp. 322-323
DOI: https://doi.org/10.1353/tj.2004.0068
restricted access

Theatrical Convention and Audience Response in Early Modern Drama (review)

Susan Bennett
pp. 323-324
DOI: https://doi.org/10.1353/tj.2004.0047
restricted access

Not Shakespeare: Bardolatry and Burlesque in the Nineteenth Century (review)

Christopher J. Markle
pp. 325-326
DOI: https://doi.org/10.1353/tj.2004.0066
restricted access

Peter Sellars (review)

Jane Baldwin
pp. 326-327
DOI: https://doi.org/10.1353/tj.2004.0043
restricted access

The Stage Life of Props (review)

David Krasner
pp. 327-328
DOI: https://doi.org/10.1353/tj.2004.0063
restricted access

Staging America: Cornerstone and Community-Based Theater (review)

Stacy Ellen Wolf
pp. 328-330
DOI: https://doi.org/10.1353/tj.2004.0080
restricted access

Peering Behind the Curtain: Disability, Illness, and the Extraordinary Body in Contemporary Theater (review)

Ann M. Fox
pp. 330-331
DOI: https://doi.org/10.1353/tj.2004.0057
restricted access

The Staging of Drama in the Medieval Church (review)

Adam S. Cohen
pp. 331-332
DOI: https://doi.org/10.1353/tj.2004.0048
restricted access

The Cambridge History of Medieval English Literature (review)

Sharon Aronson-Lehavi
pp. 333-334
DOI: https://doi.org/10.1353/tj.2004.0041
restricted access

The Showman and the Slave: Race, Death, and Memory in Barnum's America (review)

Elizabeth Reitz Mullenix
pp. 334-335
DOI: https://doi.org/10.1353/tj.2004.0067
restricted access

The New York Concert Saloon: The Devil's Own Nights (review)

Jane Barnette
pp. 335-336
DOI: https://doi.org/10.1353/tj.2004.0044
restricted access

Contours of the Theatrical Avant-Garde: Performance and Textuality (review)

Gwendolyn Waltz
pp. 336-338
DOI: https://doi.org/10.1353/tj.2004.0077
restricted access

Theatre of Sound: Radio and the Dramatic Imagination (review)

Mary Louise Hill
pp. 338-339
DOI: https://doi.org/10.1353/tj.2004.0059
restricted access

Black Theatre: Ritual Performance in the African Diaspora (review)

Robert Craig Baum
pp. 339-340
DOI: https://doi.org/10.1353/tj.2004.0045
restricted access

The Theatre Journal Auto / Archive: Laurence Senelick

Laurence Senelick
pp. 341-349
DOI: https://doi.org/10.1353/tj.2004.0073
restricted access

Editorial Comment

Harry Justin Elam
pp. vii-viii
DOI: https://doi.org/10.1353/tj.2004.0051
restricted access