1. Forgery in the Music Library: A Cautionary Tale
  2. Gillian B. Anderson, Kathryn Miller Haines, Deane L. Root, Kate Van Winkle Keller, Jean K. Wolf, Brad Young
  3. pp. 865-892
  4. DOI: 10.1353/not.2004.0046
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  1. Electronic Theses and Dissertations in Music
  2. Yale Fineman
  3. pp. 893-907
  4. DOI: 10.1353/not.2004.0053
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  1. Necrology Index
  2. Paul Hahn
  3. pp. 908-920
  4. DOI: 10.1353/not.2004.0067
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  1. Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court (review)
  2. Stephanie P. Schlagel
  3. pp. 929-931
  4. DOI: 10.1353/not.2004.0072
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  1. A History of the Harpsichord (review)
  2. Denzil Wraight
  3. pp. 931-933
  4. DOI: 10.1353/not.2004.0081
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  1. The Keyboard in Baroque Europe (review)
  2. Candace Lea Bailey
  3. pp. 933-935
  4. DOI: 10.1353/not.2004.0047
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  1. The Sounds of Milan, 1585-1650 (review)
  2. Jonathan Emmanuel Glixon
  3. pp. 935-937
  4. DOI: 10.1353/not.2004.0054
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  1. Aesthetics of Opera in the Ancien Regime, 1647-1785 (review)
  2. Rose A. Pruiksma
  3. pp. 937-939
  4. DOI: 10.1353/not.2004.0070
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  1. La revolution des Bouffons: l'opera italien au Theatre de Monsieur 1789-1792 (review)
  2. Downing A. Thomas
  3. pp. 939-941
  4. DOI: 10.1353/not.2004.0079
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  1. Berlioz: Past, Present, Future: Bicentenary Essays (review)
  2. Frank Heidlberger
  3. pp. 941-943
  4. DOI: 10.1353/not.2004.0056
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  1. Tradition and Style in the Works of Darius Milhaud 1912-1939 (review)
  2. Leslie Sprout
  3. pp. 944-946
  4. DOI: 10.1353/not.2004.0076
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  1. Black, Blanc, Beur: Rap Music and Hip-Hop Culture in the Francophone World (review)
  2. Serge Lacasse
  3. pp. 946-948
  4. DOI: 10.1353/not.2004.0059
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  1. Making Music in the Arab World: The Culture and Artistry of Tarab (review)
  2. Nicole LeCorgne
  3. pp. 948-950
  4. DOI: 10.1353/not.2004.0060
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  1. Fiddling Way Out Yonder: The Life and Music of Melvin Wine (review)
  2. Alec McLane
  3. pp. 950-953
  4. DOI: 10.1353/not.2004.0063
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  1. Analyzing Popular Music (review)
  2. Lori Burns
  3. pp. 953-955
  4. DOI: 10.1353/not.2004.0049
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  1. Mainlines, Blood Feasts, and Bad Taste: A Lester Bangs Reader (review)
  2. John J. Sheinbaum
  3. pp. 956-958
  4. DOI: 10.1353/not.2004.0073
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  1. Music in European Capitals: The Galant Style 1720-1780 (review)
  2. Mary Sue Morrow
  3. pp. 958-961
  4. DOI: 10.1353/not.2004.0064
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  1. Analyzing Bach Cantatas (review)
  2. Calvin Stapert
  3. pp. 961-963
  4. DOI: 10.1353/not.2004.0077
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  1. Schubert's Goethe Settings (review)
  2. Marjorie Wing Hirsch
  3. pp. 963-965
  4. DOI: 10.1353/not.2004.0057
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  1. From Paris to Peoria: How European Piano Virtuosos Brought Classical Music to the American Heartland (review)
  2. Mark McKnight
  3. pp. 965-967
  4. DOI: 10.1353/not.2004.0062
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  1. Gustav Mahler: Briefe und Musikautographen aus den Moldenhauer-Archiven in der Bayerischen Staatsbibliothek (review)
  2. James L. Zychowicz
  3. pp. 967-969
  4. DOI: 10.1353/not.2004.0082
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  1. Amerikanismus, Americanism, Weill: Die Suche nach kultureller Identitat in der Moderne (review)
  2. Sabine Feisst
  3. pp. 970-972
  4. DOI: 10.1353/not.2004.0052
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  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 973-1005
  4. DOI: 10.1353/not.2004.0048
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  1. Andante (review)
  2. Ned Quist
  3. pp. 1006-1009
  4. DOI: 10.1353/not.2004.0071
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  1. Classical Music Library (review)
  2. Paul Cary
  3. pp. 1009-1012
  4. DOI: 10.1353/not.2004.0050
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  1. Sound Recording Reviews
  2. Rick Anderson
  3. pp. 1013-1017
  4. DOI: 10.1353/not.2004.0074
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  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 1018-1020
  4. DOI: 10.1353/not.2004.0065
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  1. Six Flute Concertos, Op. 10, in Full Score: With Related Concertos for Other Wind Instruments (review)
  2. Michael Talbot
  3. pp. 1021-1024
  4. DOI: 10.1353/not.2004.0078
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  1. Arias for Nancy Storace, Mozart's First Susanna (review)
  2. Constance Mayer
  3. pp. 1032-1034
  4. DOI: 10.1353/not.2004.0061
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  1. Communications
  2. Daniel E. Mathers, Robert Carl
  3. p. 1056
  4. DOI: 10.1353/not.2004.0051
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  1. Index to Volume 60: September 2003 through June 2004
  2. Martin Jenkins
  3. pp. 1098-1114
  4. DOI: 10.1353/not.2004.0058
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  1. Notes for NOTES
  2. pp. 921-928
  3. DOI: 10.1353/not.2004.0068
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  1. Music Received
  2. David Knapp
  3. pp. 1047-1055
  4. DOI: 10.1353/not.2004.0066
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