1. ArtScience: The Essential Connection
  2. Robert Scott Root-Bernstein
  3. pp. 93-94
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  1. Quorum Sensing : An Interactive Installation
  2. Chu-Yin Chen
  3. p. 101
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  1. You Think, Therefore I Am (Following You) (Tu penses donc je te suis)
  2. Magali Desbazeille, Siegfried Canto, Christine Beigel
  3. p. 102
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  1. An Aesthetic of Emptiness
  2. Christophe Luxereau
  3. pp. 102-103
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  1. BioWall--An Electronic Tissue That Pulsates Like Skin
  2. Daniel Mange, Gianluca Tempesti
  3. pp. 103-104
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  1. 15 seconds of fame
  2. Franc Solina
  3. pp. 105-110
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  1. Planetary Technoetics: Art, Technology and Consciousness
  2. Roy Ascott
  3. pp. 111-116
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  1. Intellectual Property: A Chronological Compendium of Intersections between Contemporary Art and Utility Patents
  2. Robert Thill
  3. pp. 117-124
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  1. Color Plates
  2. pp. 125-126
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  1. Color Intervals: Applying Concepts of Musical Consonance and Dissonance to Color
  2. Katherine Lubar
  3. pp. 127-132
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  1. T2000
  2. Kok Kee Choy
  3. pp. 134-135
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  1. Kandinsky's Color-Form Correspondence and the Bauhaus Colors: An Empirical View
  2. Thomas Jacobsen
  3. pp. 135-136
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  1. Artistic Practice as Construction and Cultivation of Knowledge Space
  2. Wolfgang Strauss, Monika Fleischmann
  3. pp. 141-146
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  1. The SMSMS Project: Collective Intelligence Machines in the Digital City
  2. Maurizio Bolognini
  3. pp. 147-149
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  1. Flavio de Carvalho: Media Artist Avant la Lettre
  2. Rui Moreira Leite
  3. pp. 150-157
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  1. Photography's Other Histories (review)
  2. Amy Ione
  3. pp. 159-160
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  1. Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness (review)
  2. Sean Cubitt
  3. pp. 160-162
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  1. Plants, Patents and the Historian: (Re)membering in the Age of Genetic Engineering (review)
  2. Stefaan van Ryssen
  3. p. 162
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  1. Fluxus Experience (review)
  2. Roy R. Behrens
  3. pp. 162-163
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  1. Index Architecture (review)
  2. Dennis Dollens
  3. p. 163
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  1. Film and Authorship, and: The Visual Turn: Classical Film Theory and Art History (review)
  2. Michael R. Mosher
  3. p. 164
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  1. Matters of Gravity: Special Effects and Supermen in the 20th Century (review)
  2. Dene Grigar
  3. pp. 164-165
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  1. Cognition et creation: Explorations cognitives des processus de conception (review)
  2. Stefaan van Ryssen
  3. pp. 165-166
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  1. Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere (review)
  2. Allan Graubard
  3. p. 166
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  1. The Mayne Inheritance (review)
  2. Wilfred Niels Arnold
  3. pp. 166-167
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  1. The Imagined World Made Real: Towards a Natural Science of Culture (review)
  2. Rob Harle
  3. pp. 167-168
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  1. Potential Images: Ambiguity and Indeterminacy in Modern Art (review)
  2. Robert Pepperell
  3. pp. 168-169
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  1. Seeing/Hearing/Speaking (review)
  2. Fred Andersson
  3. p. 169
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  1. Introducing the LDR Panelists
  2. p. 171
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  1. Leonardo Network News
  2. pp. 172-173
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  1. Introduction: @rt Outsiders Festival: The New Alchemists of Creation
  2. Jean-Luc Soret
  3. p. 100
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  1. Introduction: From Aesthetics of Communication to Net Art: The Artmedia VIII Symposium
  2. Annick Bureaud
  3. pp. 139-140
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  1. Materials Received
  2. pp. 169-171
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