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In this Issue

Table of Contents

  1. A Note from the Editor
  2. Joan Herrington
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/tt.2004.0006
  5. restricted access
  1. Devising New Theatre for College Programs
  2. John Brockway Schmor
  3. pp. 259-273
  4. DOI: https://doi.org/10.1353/tt.2004.0010
  5. restricted access
  1. Interdisciplinary Performance, Power: "Galileo" in the Academy
  2. Wendy Arons
  3. pp. 275-291
  4. DOI: https://doi.org/10.1353/tt.2004.0001
  5. restricted access
  1. Borderless Academe: "Families in Crisis" and A Lie of the Mind
  2. Cynthia Gendrich, Angela Hattery
  3. pp. 293-315
  4. DOI: https://doi.org/10.1353/tt.2004.0003
  5. restricted access
  1. The Productive Postshow: Facilitating, Understanding and Optimizing Personal Narratives in Audience Talk Following A Personal Narrative Performance
  2. Janna Goodwin
  3. pp. 317-338
  4. DOI: https://doi.org/10.1353/tt.2004.0004
  5. restricted access
  1. Present(ing) Historical Memory: Beah Richards' "A Black Woman Speaks," Performance, and a Pedagogy of Whiteness
  2. Annette Wannamaker
  3. pp. 339-351
  4. DOI: https://doi.org/10.1353/tt.2004.0013
  5. restricted access
  1. False Accents: Embodied Dialects and the Characterization of Ethnicity and Nationality
  2. Angela Chia-yi Pao
  3. pp. 353-372
  4. DOI: https://doi.org/10.1353/tt.2004.0008
  5. restricted access

Book Reviews

  1. How Theatre Educates: Convergences and Counterpoints with Artists, Scholars, and Advocates (review)
  2. Kirsten Pullen
  3. pp. 373-374
  4. DOI: https://doi.org/10.1353/tt.2004.0009
  5. restricted access
  1. Playwrights in Rehearsal: The Seduction of Company (review)
  2. M. Shane Grant
  3. pp. 374-375
  4. DOI: https://doi.org/10.1353/tt.2004.0005
  5. restricted access
  1. New Playwriting Strategies: A Language-Based Approach to Playwriting (review)
  2. Pam Monteleone
  3. pp. 375-376
  4. DOI: https://doi.org/10.1353/tt.2004.0007
  5. restricted access
  1. Advanced Acting: Style, Character, and Performance (review)
  2. Frank Trezza
  3. pp. 376-377
  4. DOI: https://doi.org/10.1353/tt.2004.0011
  5. restricted access
  1. Auditioning: An Actor-Friendly Guide (review)
  2. Lionel Walsh
  3. pp. 377-378
  4. DOI: https://doi.org/10.1353/tt.2004.0012
  5. restricted access
  1. Call for Papers: Special Issue on Devising Theatre
  3. p. vii
  4. DOI: https://doi.org/10.1353/tt.2004.0002
  5. restricted access