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Table of Contents

  1. A Tribute from Johannes Eccard to Orlando di Lasso at Concordia Seminary, St. Louis
  2. Peter Bergquist
  3. pp. 603-612
  4. DOI: https://doi.org/10.1353/not.2004.0003
  5. restricted access
  1. Information Literacy and the Music Library
  2. Deborah Pierce
  3. pp. 613-615
  4. DOI: https://doi.org/10.1353/not.2004.0034
  5. restricted access
  1. Warp, Weft, and Waffle: Weaving Information Literacy into an Undergraduate Music Curriculum
  2. Beth Christensen
  3. pp. 616-631
  4. DOI: https://doi.org/10.1353/not.2004.0005
  5. restricted access
  1. Info Lit and the Diva: Integrating Information Literacy into the Oberlin Conservatory of Music Opera Theater Department
  2. Kathleen A. Abromeit, Victoria Vaughan
  3. pp. 632-652
  4. DOI: https://doi.org/10.1353/not.2004.0001
  5. restricted access
  1. Proof Through the Night: Music and the Great War (review)
  2. Simon Trezise
  3. pp. 658-662
  4. DOI: https://doi.org/10.1353/not.2004.0043
  5. restricted access
  1. The Modern Invention of Medieval Music: Scholarship, Ideology, Performance (review)
  2. Martin Picker
  3. pp. 662-665
  4. DOI: https://doi.org/10.1353/not.2004.0033
  5. restricted access
  1. Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (review)
  2. Richard F. Boursy
  3. pp. 666-668
  4. DOI: https://doi.org/10.1353/not.2004.0004
  5. restricted access
  1. Motives for Allusion: Context and Content in Nineteenth-Century Music (review)
  2. Christopher Hatch
  3. pp. 668-670
  4. DOI: https://doi.org/10.1353/not.2004.0015
  5. restricted access
  1. Nordic Art Music: From the Middle Ages to the Third Millennium (review)
  2. Carl John Rahkonen
  3. pp. 670-671
  4. DOI: https://doi.org/10.1353/not.2004.0035
  5. restricted access
  1. Interculturalite, intertextualite: les livrets d'opera (fin XIXe-debut XXe siecle) (review)
  2. Steven Huebner
  3. pp. 671-673
  4. DOI: https://doi.org/10.1353/not.2004.0017
  5. restricted access
  1. Cambridge Companion to Blues and Gospel Music (review)
  2. Tammy L. Kernodle
  3. pp. 673-674
  4. DOI: https://doi.org/10.1353/not.2004.0020
  5. restricted access
  1. Gyorgy Ligeti: Music of the Imagination (review)
  2. Jane Piper Clendinning
  3. pp. 674-676
  4. DOI: https://doi.org/10.1353/not.2004.0006
  5. restricted access
  1. Vaughan Williams Essays (review)
  2. David Manning
  3. pp. 676-678
  4. DOI: https://doi.org/10.1353/not.2004.0027
  5. restricted access
  1. The Mendelssohns: Their Music in History (review)
  2. Claudia Macdonald
  3. pp. 678-680
  4. DOI: https://doi.org/10.1353/not.2004.0026
  5. restricted access
  1. A Portrait of Mendelssohn (review)
  2. Marian Wilson Kimber
  3. pp. 680-682
  4. DOI: https://doi.org/10.1353/not.2004.0021
  5. restricted access
  1. Carl Maria von Weber and the Search for a German Opera (review)
  2. Keith Harris Cochran
  3. pp. 682-684
  4. DOI: https://doi.org/10.1353/not.2004.0007
  5. restricted access
  1. A History of Performing Pitch: The Story of "A" (review)
  2. Clara Marvin
  3. pp. 684-686
  4. DOI: https://doi.org/10.1353/not.2004.0028
  5. restricted access
  1. Songs of a Kaumatua Sung by Kino Hughes (review)
  2. Amy K. Stillman
  3. pp. 686-688
  4. DOI: https://doi.org/10.1353/not.2004.0039
  5. restricted access
  1. The Amazing Secret History of Elmore James (review)
  2. Edward M. Komara
  3. pp. 688-690
  4. DOI: https://doi.org/10.1353/not.2004.0024
  5. restricted access
  1. Rudolf Serkin, A Life (review)
  2. Paul Orgel
  3. pp. 690-692
  4. DOI: https://doi.org/10.1353/not.2004.0032
  5. restricted access
  1. Lost in the Stars: The Forgotten Musical Life of Alexander Siloti (review)
  2. Brian C. Thompson
  3. pp. 692-694
  4. DOI: https://doi.org/10.1353/not.2004.0042
  5. restricted access
  1. The Honolulu Symphony: A Century of Music (review)
  2. Gregg S. Geary
  3. pp. 694-696
  4. DOI: https://doi.org/10.1353/not.2004.0013
  5. restricted access
  1. Gegeven den Sangeren: Meerstemmige muziek bij de Illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch in de zestiende eeuw (review)
  2. Marc Vanscheeuwijck
  3. pp. 697-699
  4. DOI: https://doi.org/10.1353/not.2004.0044
  5. restricted access
  1. Seventeenth-Century British Keyboard Sources (review)
  2. John Irving
  3. pp. 699-700
  4. DOI: https://doi.org/10.1353/not.2004.0018
  5. restricted access
  1. Caruso Records (review)
  2. Gary A. Galo
  3. pp. 700-703
  4. DOI: https://doi.org/10.1353/not.2004.0012
  5. restricted access
  1. Women and Music in America Since 1900: An Encyclopedia (review)
  2. Margaret D. Ericson
  3. pp. 703-706
  4. DOI: https://doi.org/10.1353/not.2004.0010
  5. restricted access
  1. A History of the Trump in Pictures: Europe and America (review)
  2. Laurence Libin
  3. pp. 706-707
  4. DOI: https://doi.org/10.1353/not.2004.0025
  5. restricted access
  1. Television Opera: The Fall of Opera Commissioned for Television (review)
  2. Jeongwon Joe
  3. pp. 707-709
  4. DOI: https://doi.org/10.1353/not.2004.0019
  5. restricted access
  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 712-743
  4. DOI: https://doi.org/10.1353/not.2004.0045
  5. restricted access
  1. New Periodicals
  2. Tracey Rudnick
  3. pp. 744-753
  4. DOI: https://doi.org/10.1353/not.2004.0037
  5. restricted access
  1. eStand TM Electronic Music Stand (review)
  2. Jane Cross
  3. pp. 754-756
  4. DOI: https://doi.org/10.1353/not.2004.0009
  5. restricted access
  1. The French Violin School: From Viotti to Beriot
  2. Bruce R. Schueneman
  3. pp. 757-770
  4. DOI: https://doi.org/10.1353/not.2004.0038
  5. restricted access
  1. Briefly Noted
  2. Rick Anderson
  3. pp. 770-774
  4. DOI: https://doi.org/10.1353/not.2004.0002
  5. restricted access
  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 775-782
  4. DOI: https://doi.org/10.1353/not.2004.0016
  5. restricted access
  1. Novum et insigne opus musicum (Breslau 1620) (review)
  2. Stephen Rose
  3. pp. 783-785
  4. DOI: https://doi.org/10.1353/not.2004.0036
  5. restricted access
  1. The Third Book of Madrigals for Five Voices (Apt for Voices, Viols and Recorders), and: Scherzi musicali a tre voci, and: L'Orfeo: Favola in musica, and: Laudate Dominum omnes gentes: Psalm 116 fur zwei Soprane, sechs bis acht Stimmen und Basso continuo, and: Nisi Dominus: Psalm 126 fur sechs Stimmen und Basso continuo (1650), and: Laurentanische Litanei fur sechs Stimmen und Basso continuo (review)
  2. Giuseppe Gerbino
  3. pp. 785-789
  4. DOI: https://doi.org/10.1353/not.2004.0014
  5. restricted access
  1. The Collected Secular Works, and: Primo libro de madrigali a cinque voci (review)
  2. Sarah M. Stoycos
  3. pp. 789-792
  4. DOI: https://doi.org/10.1353/not.2004.0040
  5. restricted access
  1. Masses (review)
  2. Andrew Kirkman
  3. pp. 792-795
  4. DOI: https://doi.org/10.1353/not.2004.0022
  5. restricted access
  1. Various Messiaen Editions
  2. Robert Fallon
  3. pp. 795-801
  4. DOI: https://doi.org/10.1353/not.2004.0011
  5. restricted access
  1. Suite for Horn and Piano, and: Suite (Twelve Duets) for Horn and Tuba, and: Horn Sonata, and: Horn! for Horn in F and Piano, and: Sonata for Horn and Piano (review)
  2. Erin Mullen
  3. pp. 801-804
  4. DOI: https://doi.org/10.1353/not.2004.0030
  5. restricted access
  1. Jobiniana no. 3 pour guitare, and: Jobiniana no. 1 pour 2 guitares, and: Circulo magico pour flute et guitare, and: Winter Impressions pour flute, alto et guitare, and: Uarekena pour quatuor de guitares (review)
  2. Joseph E. Szydlowski
  3. pp. 804-808
  4. DOI: https://doi.org/10.1353/not.2004.0041
  5. restricted access
  1. Communications
  3. pp. 818-821
  4. DOI: https://doi.org/10.1353/not.2004.0008
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  1. Notes for NOTES
  3. pp. 653-657
  4. DOI: https://doi.org/10.1353/not.2004.0031
  5. restricted access
  1. Introduction to Audio (review)
  2. Charles Menoche
  3. pp. 709-711
  4. DOI: https://doi.org/10.1353/not.2004.0029
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 809-817
  4. DOI: https://doi.org/10.1353/not.2004.0023
  5. restricted access