1. Erratum
  2. p. 6
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  1. Opera and the Law: Dramma Giocosa
  2. Daniel F. Tritter
  3. pp. 7-25
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  1. Verdi Onstage in the United States: I Lombardi alla prima crociata
  2. George Whitney Martin
  3. pp. 26-46
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  1. Ortrud and the Birth of a New Style in Act 2, Scene 1 of Wagner's Lohengrin
  2. Graham Gregory Hunt
  3. pp. 47-70
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  1. The Interrelations of Knowledge and Will: Erda, Experience, and Epistemology in the Ring
  2. Lisa Feurzeig
  3. pp. 71-94
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  1. The Stage Wizardry of Sarah Caldwell: A Case Study
  2. Daniel P. Kessler
  3. pp. 95-102
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  1. OperaKrostik
  2. Alan W. Agol
  3. pp. 103-105
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  1. Aesthetics of Opera in the Ancien Regime, 1647-1785 (review)
  2. E. Thomas Glasow
  3. pp. 106-108
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  1. At the Opera: Tales of the Great Operas (review)
  2. Joe Keith Law
  3. pp. 109-110
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  1. Tamerlano (review)
  2. Joe Keith Law
  3. pp. 112-115
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  1. Donizetti's Tudor Trilogy
  2. Niel Rishoi
  3. pp. 116-121
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  1. Il trovatore (review)
  2. Roger Pines
  3. pp. 122-125
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  1. Trouble in Tahiti (review)
  2. Roger Pines
  3. pp. 125-127
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  1. Rinaldo (review)
  2. Roland Graeme
  3. pp. 131-134
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  1. Didon (review)
  2. William Ashbrook
  3. pp. 134-136
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  1. Ginevra di Scozia (review)
  2. George Jellinek
  3. pp. 136-138
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  1. Zaira (excerpts) (review)
  2. Roland Graeme
  3. pp. 138-141
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  1. Der Barbier von Bagdad (review)
  2. Roger Pines
  3. pp. 141-143
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  1. La Gioconda (review)
  2. William Ashbrook
  3. pp. 144-145
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  1. Gotterdammerung (review)
  2. Robert Baxter
  3. pp. 145-148
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  1. Tosca (review)
  2. William Albright
  3. pp. 148-152
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  1. Die Harmonie der Welt (review)
  2. Stephen Eddins
  3. pp. 152-156
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  1. Submission of Articles and Instructions to Authors
  2. pp. 161-162
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  1. Answers to OperaKrostik
  2. pp. 163-164
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  1. Quarter Notes
  2. E. Thomas Glasow
  3. pp. 1-6
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  1. Books Received
  2. p. 111
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  1. DVDs Received
  2. pp. 128-130
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  1. Recordings Received
  2. pp. 156-159
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  1. Contributors to This Issue
  2. p. 160
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