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Table of Contents

  1. Citizen Adam: The Latest James Ivory and the Last Henry James
  2. Garrett Stewart
  3. pp. 1-24
  4. DOI: https://doi.org/10.1353/hjr.2002.0007
  5. restricted access
  1. The Golden Film: Charlotte Stant and the Palace Guards
  2. Leland S. Person
  3. pp. 25-36
  4. DOI: https://doi.org/10.1353/hjr.2002.0003
  5. restricted access
  1. Appeals to Incalculability: Sex, Costume Drama, and The Golden Bowl
  2. Dianne F. Sadoff
  3. pp. 38-52
  4. DOI: https://doi.org/10.1353/hjr.2002.0005
  5. restricted access
  1. Revolution and Democracy in the London Times and The Princess Casamassima
  2. Christine DeVine
  3. pp. 53-71
  4. DOI: https://doi.org/10.1353/hjr.2002.0001
  5. restricted access
  1. "No greater work of art": Henry James and Pictorial Art
  2. Jennifer Eimers
  3. pp. 72-84
  4. DOI: https://doi.org/10.1353/hjr.2002.0002
  5. restricted access
  1. American Literary Realism, Critical Theory, and Intellectual Prestige, 1880-1995 (review)
  2. Julie Rivkin
  3. pp. 85-87
  4. DOI: https://doi.org/10.1353/hjr.2002.0004
  5. restricted access
  1. The Turn of the Screw and What Maisie Knew, and: The Turn of the Screw: Authoritative Text, Contexts, Criticism (review)
  2. Andrew Joseph Scheiber
  3. pp. 87-90
  4. DOI: https://doi.org/10.1353/hjr.2002.0006
  5. restricted access
  1. In the Palatial Chamber of the Mind: Comparative Essays on Henry James (review)
  2. Joseph Wiesenfarth
  3. pp. 90-92
  4. DOI: https://doi.org/10.1353/hjr.2002.0009
  5. restricted access
  1. The Metaphysical Club (review)
  2. Jeffrey S. Wieand
  3. pp. 92-94
  4. DOI: https://doi.org/10.1353/hjr.2002.0008
  5. restricted access