In this Issue

Table of Contents

Walking on Water: The Metropolitan Feminine in The Ambassadors

Marianne DeKoven
pp. 107-126
DOI: https://doi.org/10.1353/hjr.1997.0016
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The Fall as Conversion: Catholicism and the American Girl in James's "Travelling Companions"

Jeff Staiger
pp. 127-139
DOI: https://doi.org/10.1353/hjr.1997.0021
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"God Knows They Are Impossible": James's Letters and Their Editors

Michael Anesko
pp. 140-148
DOI: https://doi.org/10.1353/hjr.1997.0010
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Enter Touchstone: Manners of Comedy in James's The Europeans

Joseph Nazare
pp. 149-160
DOI: https://doi.org/10.1353/hjr.1997.0019
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"Artful Artlessness": Reading the Coquette in Roderick Hudson

Natasha Sajé
pp. 161-172
DOI: https://doi.org/10.1353/hjr.1997.0020
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Responses to Jane Campion's The Portrait of a Lady

Introduction

Susan M. Griffin
p. 173
DOI: https://doi.org/10.1353/hjr.1997.0017
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"Conscious Observation of a Lovely Woman": Jane Campion's Portrait in Film

Nancy Bentley
pp. 174-179
DOI: https://doi.org/10.1353/hjr.1997.0012
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The Search for Cinematic Identity and a Good Man: Jane Campion's Appropriation of James's Portrait

Alan Nadel
pp. 180-183
DOI: https://doi.org/10.1353/hjr.1997.0018
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The Portrait of a Body

Virginia Wright Wexman
pp. 184-186
DOI: https://doi.org/10.1353/hjr.1997.0023
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Jane and James Go to the Movies: Post-Colonial Portraits of a Lady

Priscilla L. Walton
pp. 187-190
DOI: https://doi.org/10.1353/hjr.1997.0022
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Agency and Social Constraint in Jane Campion's The Portrait of a Lady

Karen Michele Chandler
pp. 191-193
DOI: https://doi.org/10.1353/hjr.1997.0015
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Jane Campion's Symbolic Portrait

Dale M. Bauer
pp. 194-196
DOI: https://doi.org/10.1353/hjr.1997.0011
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I Don't Like Isabel Archer

Marc Bousquet
pp. 197-199
DOI: https://doi.org/10.1353/hjr.1997.0013
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Book Reviews

Aesthetic Persuasion: Henry James, the Jews, and Race (review)

James Mendelsohn
pp. 200-203
DOI: https://doi.org/10.1353/hjr.1997.0024
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The Supernatural and English Fiction (review)

Pierre A. Walker
pp. 204-206
DOI: https://doi.org/10.1353/hjr.1997.0014
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