1. "So plenty makes me poore": Ireland, Capitalism, and Class in Spenser's Amoretti and Epithalamion
  2. Christopher Warley
  3. pp. 567-598
  4. DOI: 10.1353/elh.2002.0030
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  1. Jews, Spaniards, and Portingales: Ambiguous Identities of Portuguese Marranos in Elizabethan England
  2. Edmund Valentine Campos
  3. pp. 599-616
  4. DOI: 10.1353/elh.2002.0023
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  1. The Plot Thickens: Surveying Manuals, Drama, and the Materiality of Narrative Form in Early Modern England
  2. Martin Bruckner, Kristen Poole
  3. pp. 617-648
  4. DOI: 10.1353/elh.2002.0021
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  1. Royalist, Romancist, Racialist: Rank, Gender, and Race in the Science and Fiction of Margaret Cavendish
  2. Sujata Iyengar
  3. pp. 649-672
  4. DOI: 10.1353/elh.2002.0027
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  1. A Degenerate Race: English Barbarism in Aphra Behn's Oroonoko and The Widow Ranter
  2. Elliott Visconsi
  3. pp. 673-701
  4. DOI: 10.1353/elh.2002.0029
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  1. Hitherto Propertied : Rochester's Aristocratic Alienation and the Paradox of Class Formation in Restoration England
  2. Sarah Ellenzweig
  3. pp. 703-725
  4. DOI: 10.1353/elh.2002.0024
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  1. Plagiarism and the Originality of National Literature: Gerard Langbaine
  2. Kevin Pask
  3. pp. 727-747
  4. DOI: 10.1353/elh.2002.0028
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  1. The Crowded Text: E. P. Thompson, Adam Smith, and the Object of Eighteenth-century Writing
  2. Mike Hill
  3. pp. 749-773
  4. DOI: 10.1353/elh.2002.0026
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  1. "More than Romance": Genre and Geography in Dark Princess
  2. Dohra Ahmad
  3. pp. 775-803
  4. DOI: 10.1353/elh.2002.0022
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  1. The Telegraph in Black and White
  2. Paul Gilmore
  3. pp. 805-833
  4. DOI: 10.1353/elh.2002.0025
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