1. Lady MacBeth and the Daemonologie of Hysteria
  2. Joanna Levin
  3. pp. 21-55
  4. DOI: 10.1353/elh.2002.0009
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  1. "Divided Amongst Themselves": Collaboration and Anxiety in Jonson's Volpone
  2. Gregory Chaplin
  3. pp. 57-81
  4. DOI: 10.1353/elh.2002.0001
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  1. The Paradox of Women: The Legal Position of Early Modern Wives and Thomas Dekker's The Honest Whore
  2. Barbara Irene Kreps
  3. pp. 83-102
  4. DOI: 10.1353/elh.2002.0007
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  1. Marvell's Watery Maze: Digression and Discovery at Nun Appleton
  2. Anne Cotterill
  3. pp. 103-132
  4. DOI: 10.1353/elh.2002.0002
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  1. Illegitimacy and Social Observation: The Bastard in the Eighteenth-Century Novel
  2. Wolfram Schmidgen
  3. pp. 133-166
  4. DOI: 10.1353/elh.2002.0010
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  1. Wordsworth's Visionary Imagination: Democracy and War
  2. Brian Folker
  3. pp. 167-197
  4. DOI: 10.1353/elh.2002.0004
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  1. Charlotte Bronte on the Pleasure of Hating
  2. Christopher Lane
  3. pp. 199-222
  4. DOI: 10.1353/elh.2002.0008
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  1. Industrial History, Preindustrial Literature: George Eliot's Middlemarch
  2. Jessie Givner
  3. pp. 223-243
  4. DOI: 10.1353/elh.2002.0005
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  1. Amnesia in the Fields: Late Modernism, Late Imperialism, and the English Pageant-Play
  2. Joshua Esty
  3. pp. 245-276
  4. DOI: 10.1353/elh.2002.0003
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