1. Nashe's Red Herring: Epistemologies of the Commodity in Lenten Stuffe (1599)
  2. Henry S. Turner
  3. pp. 529-561
  4. DOI: 10.1353/elh.2001.0028
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  1. Feeding on the Seed of the Woman: Dorothy Leigh and the Figure of Maternal Dissent
  2. Catharine Gray
  3. pp. 563-592
  4. DOI: 10.1353/elh.2001.0023
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  1. Disfiguring the Body of Knowledge: Anatomical Discourse and Robert Burton's The Anatomy of Melancholy
  2. R. Grant Williams
  3. pp. 593-613
  4. DOI: 10.1353/elh.2001.0029
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  1. Daniel Defoe's Colonel Jack, Grateful Slaves, and Racial Difference
  2. George E. Boulukos
  3. pp. 615-631
  4. DOI: 10.1353/elh.2001.0021
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  1. The "New Sort of Specialty" and the "New Province of Writing": Bank Notes, Fiction and the Law in Tom Jones
  2. Martin A. Kayman
  3. pp. 633-653
  4. DOI: 10.1353/elh.2001.0025
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  1. Signs of the Dead: Epitaphs, Inscriptions, and the Discourse of the Self
  2. Dewey W. Hall
  3. pp. 655-677
  4. DOI: 10.1353/elh.2001.0024
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  1. Bleak House and the Struggle for the State Domain
  2. Pam Morris
  3. pp. 679-698
  4. DOI: 10.1353/elh.2001.0027
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  1. "A Difference of Native Language": Gender, Genre, and Realism in Daniel Deronda
  2. Sarah Gates
  3. pp. 699-724
  4. DOI: 10.1353/elh.2001.0022
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  1. Why R. P. Blackmur Found James's Golden Bowl Inhumane
  2. Quentin Anderson
  3. pp. 725-743
  4. DOI: 10.1353/elh.2001.0020
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  1. Fiction, Politics, and Chocolate Whipped Cream: Wallace Stevens's "Forces, The Will, & The Weather"
  2. James Lucas
  3. pp. 745-761
  4. DOI: 10.1353/elh.2001.0026
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