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Table of Contents

  1. Flying Sources: Classical Authority in Chaucer's Squire's Tale
  2. Craig A. Berry
  3. pp. 287-313
  4. DOI: https://doi.org/10.1353/elh.2001.0012
  5. restricted access
  1. "Mark Him Wel for He is on of po": Training the "Lewed" Gaze to Discern Hypocrisy
  2. Fiona Somerset
  3. pp. 315-334
  4. DOI: https://doi.org/10.1353/elh.2001.0019
  5. restricted access
  1. Pamphilia's Cabinet: Gendered Authorship and Empire in Lady Mary Wroth's Urania
  2. Bernadette Diane Andrea
  3. pp. 335-358
  4. DOI: https://doi.org/10.1353/elh.2001.0011
  5. restricted access
  1. Philip Massinger's The Roman Actor and the Semiotics of Censored Theater
  2. Andrew James Hartley
  3. pp. 359-376
  4. DOI: https://doi.org/10.1353/elh.2001.0014
  5. restricted access
  1. "Wish You Were Here": Exporting England in James Grainger's The Sugar-Cane
  2. Shaun Irlam
  3. pp. 377-396
  4. DOI: https://doi.org/10.1353/elh.2001.0015
  5. restricted access
  1. A Prosecutor and a Gentleman: Edmund Burke's Idiom of Impeachment
  2. Elizabeth D. Samet
  3. pp. 397-418
  4. DOI: https://doi.org/10.1353/elh.2001.0018
  5. restricted access
  1. Inundations of Time: A Definition of Scott's Originality
  2. Richard Maxwell
  3. pp. 419-468
  4. DOI: https://doi.org/10.1353/elh.2001.0016
  5. restricted access
  1. Modernism, Male Intimacy, and the Great War
  2. Sarah Cole
  3. pp. 469-500
  4. DOI: https://doi.org/10.1353/elh.2001.0013
  5. restricted access
  1. Dada Da Da: Sounding the Jew in Modernism
  2. Daniel T. McGee
  3. pp. 501-527
  4. DOI: https://doi.org/10.1353/elh.2001.0017
  5. restricted access