1. Authors in Effect: Lewis, Scott, and the Gothic Drama
  2. Michael Gamer
  3. pp. 831-861
  4. DOI: 10.1353/elh.1999.0034
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  1. Walter Scott and Anti-Gallican Minstrelsy.
  2. Richard Cronin
  3. pp. 863-883
  4. DOI: 10.1353/elh.1999.0033
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  1. Rehabilitating Coleridge: Poetry, Philosophy, Excess
  2. Paul Youngquist
  3. pp. 885-909
  4. DOI: 10.1353/elh.1999.0040
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  1. The Illogical Status of Novelistic Discourse: Scott's Footnotes for the Waverley Novels
  2. Robert Mayer
  3. pp. 911-938
  4. DOI: 10.1353/elh.1999.0036
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  1. "The Nation Begins to Form": Competing Nationalisms in Morgan's The O'Briens and the O'Flahertys
  2. Julia M. Wright
  3. pp. 939-963
  4. DOI: 10.1353/elh.1999.0039
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  1. Fathoming "Remembrance": Emily Bronte in Context
  2. Janet Gezari
  3. pp. 965-984
  4. DOI: 10.1353/elh.1999.0035
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  1. The Way We Read and Write Now: The Rhetoric of Experience in Victorian Literature and Contemporary Criticism
  2. Timothy Peltason
  3. pp. 985-1014
  4. DOI: 10.1353/elh.1999.0037
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  1. "Dismal Pleasure": Victorian Sentimentality and the Pathos of the Parvenu
  2. Miriam Bailin
  3. pp. 1015-1032
  4. DOI: 10.1353/elh.1999.0031
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  1. Alive in the Grave: Walter Pater's Renaissance
  2. Jeffrey Wallen
  3. pp. 1033-1051
  4. DOI: 10.1353/elh.1999.0038
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  1. The Home-ly Kailyard Nation: Nineteenth-Century Narratives of the Highland and the Myth of Merrie Auld Scotland
  2. Richard Cook
  3. pp. 1053-1073
  4. DOI: 10.1353/elh.1999.0032
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