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Table of Contents

  1. Theatrical History in the Croxton Play of the Sacrament
  2. Michael Jones
  3. pp. 223-260
  4. DOI: https://doi.org/10.1353/elh.1999.0016
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  1. Slander, Renaissance Discourses of Sodomy, and Othello
  2. Robert Matz
  3. pp. 261-276
  4. DOI: https://doi.org/10.1353/elh.1999.0018
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  1. Conferring with the Dead: Necrophilia and Nostalgia in the Seventeenth Century
  2. Scott Dudley
  3. pp. 277-294
  4. DOI: https://doi.org/10.1353/elh.1999.0014
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  1. Samson's Death by Theater and Milton's Art of Dying
  2. Dennis Kezar
  3. pp. 295-336
  4. DOI: https://doi.org/10.1353/elh.1999.0017
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  1. Speaking for the Irish Nation: The Drapier, the Bishop, and the Problems of Colonial Representation
  2. Carole Fabricant
  3. pp. 337-372
  4. DOI: https://doi.org/10.1353/elh.1999.0015
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  1. Passion and Love: Anacreontic Song and the Roots of Romantic Lyric
  2. Marshall Brown
  3. pp. 373-404
  4. DOI: https://doi.org/10.1353/elh.1999.0011
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  1. Edmund Burke, Gilles Deleuze, and the Subversive Masochism of the Image
  2. Peter Cosgrove
  3. pp. 405-437
  4. DOI: https://doi.org/10.1353/elh.1999.0012
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  1. Masks of the Unconscious: Bad Faith and Casuistry in the Dramatic Monologue
  2. W. David Shaw
  3. pp. 439-460
  4. DOI: https://doi.org/10.1353/elh.1999.0019
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  1. Railway Novels: Sensation Fiction and the Modernization of the Senses
  2. Nicholas Daly
  3. pp. 461-487
  4. DOI: https://doi.org/10.1353/elh.1999.0013
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  1. Counter-Evolution: The Prosthetics of Early Modernist Form
  2. Joanne A. Wood
  3. pp. 489-510
  4. DOI: https://doi.org/10.1353/elh.1999.0020
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