In this Issue

Table of Contents

Theatrical History in the Croxton Play of the Sacrament

Michael Jones
pp. 223-260
DOI: https://doi.org/10.1353/elh.1999.0016
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Slander, Renaissance Discourses of Sodomy, and Othello

Robert Matz
pp. 261-276
DOI: https://doi.org/10.1353/elh.1999.0018
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Conferring with the Dead: Necrophilia and Nostalgia in the Seventeenth Century

Scott Dudley
pp. 277-294
DOI: https://doi.org/10.1353/elh.1999.0014
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Samson's Death by Theater and Milton's Art of Dying

Dennis Kezar
pp. 295-336
DOI: https://doi.org/10.1353/elh.1999.0017
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Speaking for the Irish Nation: The Drapier, the Bishop, and the Problems of Colonial Representation

Carole Fabricant
pp. 337-372
DOI: https://doi.org/10.1353/elh.1999.0015
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Passion and Love: Anacreontic Song and the Roots of Romantic Lyric

Marshall Brown
pp. 373-404
DOI: https://doi.org/10.1353/elh.1999.0011
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Edmund Burke, Gilles Deleuze, and the Subversive Masochism of the Image

Peter Cosgrove
pp. 405-437
DOI: https://doi.org/10.1353/elh.1999.0012
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Masks of the Unconscious: Bad Faith and Casuistry in the Dramatic Monologue

W. David Shaw
pp. 439-460
DOI: https://doi.org/10.1353/elh.1999.0019
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Railway Novels: Sensation Fiction and the Modernization of the Senses

Nicholas Daly
pp. 461-487
DOI: https://doi.org/10.1353/elh.1999.0013
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Counter-Evolution: The Prosthetics of Early Modernist Form

Joanne A. Wood
pp. 489-510
DOI: https://doi.org/10.1353/elh.1999.0020
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