1. Queer Money
  2. Will Fisher
  3. pp. 1-23
  4. DOI: 10.1353/elh.1999.0003
  5. restricted access
    • View HTML View
    contents
  1. Despised Creatures: The Illusion of Maternal Self-Effacement in Seventeenth-Century Child Loss Poetry
  2. Pamela S. Hammons
  3. pp. 25-49
  4. DOI: 10.1353/elh.1999.0005
  5. restricted access
    • View HTML View
    contents
  1. Imperfect Enjoyment at Market Hill: Impotence, Desire, and Reform in Swift's Poems to Lady Acheson
  2. Judith C. Mueller
  3. pp. 51-70
  4. DOI: 10.1353/elh.1999.0008
  5. restricted access
    • View HTML View
    contents
  1. The Disappearing African Woman: Imoinda in Oroonoko after Behn
  2. Joyce Green MacDonald
  3. pp. 71-86
  4. DOI: 10.1353/elh.1999.0006
  5. restricted access
    • View HTML View
    contents
  1. "Monumental Inscriptions": Language, Rights, the Nation in Coleridge and Horne Tooke
  2. Andrew R. Cooper
  3. pp. 87-110
  4. DOI: 10.1353/elh.1999.0001
  5. restricted access
    • View HTML View
    contents
  1. Seeing Romantically in Lamia
  2. Paul Endo
  3. pp. 111-128
  4. DOI: 10.1353/elh.1999.0002
  5. restricted access
    • View HTML View
    contents
  1. "Sublimation Strange": Allegory and Authority in Bleak House
  2. Daniel Hack
  3. pp. 129-156
  4. DOI: 10.1353/elh.1999.0004
  5. restricted access
    • View HTML View
    contents
  1. "Tranced Griefs": Melville's Pierre and the Origins of the Gothic
  2. Robert Miles
  3. pp. 157-177
  4. DOI: 10.1353/elh.1999.0007
  5. restricted access
    • View HTML View
    contents
  1. The Reading Gaol of Henry James's In The Cage
  2. Nicola Nixon
  3. pp. 179-201
  4. DOI: 10.1353/elh.1999.0009
  5. restricted access
    • View HTML View
    contents
  1. Issy's Footnote: Disruptive Narrative and the Discursive Structure of Incest in Finnegans Wake
  2. Jen Shelton
  3. pp. 203-221
  4. DOI: 10.1353/elh.1999.0010
  5. restricted access
    • View HTML View
    contents